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The Reduced Shakespeare Company


The Reduced Shakespeare Company (RSC) is a touring American acting troupe that performs fast-paced, seemingly improvisational condensations of huge topics. The company's style has been described as "New Vaudeville," combining both physical and verbal humor, as well as highbrow and lowbrow. Known as the "Bad Boys of Abridgment," the RSC has created ten stage shows: The Complete Works of William Shakespeare (abridged) in 1987, The Complete History of America (abridged) in 1992, The Bible: The Complete Word of God (abridged) in 1995, The Complete Millennium Musical (abridged) in 1998, All the Great Books (abridged) in 2002, Completely Hollywood (abridged) in 2005, "The Complete World of Sports (abridged)" in 2010, The Ultimate Christmas Show (abridged) in 2011, The Complete History of Comedy (abridged) in 2013 and William Shakespeare's Long Lost First Play (abridged) in 2016. The company tours most frequently across the U.S. and Great Britain, and it has also performed in Belgium, Holland, Canada, Australia, New Zealand, Japan, China, Singapore, Barbados, Bermuda, Israel, Qatar and Ireland. The Reduced Shakespeare Company is heard frequently on both NPR and the BBC.

The Company was founded in 1981 by Daniel Singer, who wrote a 25-minute, 4-actor version of William Shakespeare's Hamlet, to be performed at the original Renaissance Pleasure Faire in Novato, California. He cast himself as Polonius, Horatio, and Laertes; Jess Borgeson as the prince; Michael Fleming as Bernardo, Claudius, and the Ghost of Hamlet's father; and Barbara Reinertson as Ophelia and Gertrude. When Reinertson broke her ankle three weeks into the run, Borgeson suggested that school-chum Adam Long fill in for her in drag. A wig was procured, and Long's performance was described as "uncanny." The show won high praise and developed a large following.

Borgeson returned to college in 1983 to pursue a degree in English literature, leaving Singer and Long to continue under the RSC banner. They penned a twenty-minute version of Shakespeare's Romeo and Juliet, which they performed at Renaissance Fairs, on street-corners, beaches, and at private events. Crowds were amazed to see two men arrive with a small basket of costumes, two fencing foils, two bottles of poison, a rose, a dagger, a wig and a dummy, and proceed to enact the entire story with the zany style of a Marx Brothers movie. Taking the advice of some fellow street-performers, Long and Singer expanded the comedy in the act and solicited for tips afterwards; their solicitations proved generally successful.


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