The Quiet Life
| The Quiet Life | ||||
|---|---|---|---|---|
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| Studio album by Anchor & Braille | ||||
| Released | July 31, 2012 | |||
| Genre | Acoustic rock, baroque pop | |||
| Length | 41:53 | |||
| Label | Tooth & Nail | |||
| Producer | Kevin Dailey and Micah Tawlks | |||
| Anchor & Braille chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AbsolutePunk | (80%) |
| Alternative Press |    |
| Jesus Freak Hideout | |
| Indie Vision Music | |
The Quiet Life is the second studio album by Anchor & Braille, the side project of Anberlin lead vocalist Stephen Christian. The album was released on July 31, 2012 on Tooth & Nail Records with a vinyl version expected for release on September 7, 2012.
"The Quiet Life" is Christian's sophomore release under the Anchor & Braille moniker. Released on Anberlin's old record label Tooth & Nail Records, Christian explained the meaning of the title on the label's website: "In the musician lifestyle we always seem to be searching for something and we never seem to find it...I've come to the conclusion that the only stability for a musician is instability. So there is this eternal search for 'the quiet life.' But I've never found it. It’s a dream, this imaginary quiet life.” The song "Find Me" explored the theme heavily.
Christian penned The Quiet Life whenever and wherever he could during the three years since the release of Felt. He recorded the album over the course of January, February and March in Peptalk Studio in his current hometown of Nashville. The studio, actually a converted basement recording space, usually houses the band Civil Twilight, whose keyboardist Kevin Dailey co-produced and engineered the album along with Anchor & Braille guitarist Micah Tawlks. A music video for "Find Me" debuted on the day of the album's release.
The disc, which Christian describes as a "patchwork record" due to this sporadic process, expands on the demos the musician had been penning for years. This sonic expansion is, in part, why Christian selected Dailey and Tawlks as his producers.
“I felt like they were the only ones who caught what I was trying to do,” Christian explains. “I didn’t want anyone to take my demos and glorify them. I wanted to write the songs and then interpret them in the studio. I want it to be creative and have the music be expounded upon, not just made bigger. My demos were the outlines and I needed people in the studio would help color them in.”
Like Felt, The Quiet Life is still centered around acoustic instrumentation but is layered with more digital tones and effects, which he credits the music he was listening to at the time as the influence for this change.
“I wasn’t attempting to mimic anything, but instead of writing songs in the same vein as the last record I felt like the whole joy of being in your own project is to pursue your passion,” Christian says, citing groups like Empire of the Sun and M83. “And I love indie electronic music so I wanted to bring that in. We didn’t use the keyboard effects or anything, but it was about bringing the tones of what I was listening to into my own music.”
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