The Pagan (1929 film)

The Pagan
1929 lobby poster
Directed by	W. S. Van Dyke
Produced by	Louis B. Mayer Irving Thalberg
Written by	John Russell (story) Dorothy Farnum (scenario) John Howard Lawson (intertitles)
Starring	Ramón Novarro Renée Adorée Donald Crisp Dorothy Janis
Music by	William Axt (music score) Nacio Herb Brown ("Pagan Love Song" [music]) Arthur Freed ("Pagan Love Song" [lyrics])
Cinematography	Clyde De Vinna
Edited by	Ben Lewis
Distributed by	MGM
Release date	April 27, 1929
Running time	9 reels; 7,459 feet
Country	United States
Language	Silent English intertitles

The Pagan is a 1929 silent/part talking romantic drama filmed in Tahiti and produced and distributed by Metro Goldwyn Mayer. Both director W. S. Van Dyke and cinematographer Clyde De Vinna had previously visited Tahiti in 1928 to film White Shadows in the South Seas. The Pagan stars Ramón Novarro.

The film has a slight resemblance in story to an earlier Novarro silent, Where the Pavement Ends (1923), directed by Rex Ingram and now lost.

Trader Henry Slater (Donald Crisp) stops at a South Pacific island looking to obtain a cargo of copra. He is informed that half-caste Henry Shoesmith, Jr. (Ramon Novarro) owns the largest plantation, but is rather indolent.

Meanwhile, Shoesmith is lolling around, while admirer Madge (Renée Adorée), wishes she had met him before she became a fallen woman. Then the young man hears a woman singing aboard a ship. He swims out and is strongly attracted to Tito (Dorothy Janis). She, however, rebuffs him.

When the narrow-minded Slater first meets Shoesmith, he is quite rude to the native, but soon changes his manner when he learns who the young man is. The easygoing Shoesmith does not take offense, and is delighted to be formally introduced to Tito, Slater's half-caste ward. Slater starts to bargain for copra and is pleasantly surprised when Shoesmith offers him as much as he wants for free. He takes the precaution of having Shoesmith sign a contract to that effect.

Tito eventually falls in love with Shoesmith, but Slater has other plans for her. He tells Shoesmith to stay away from his ward, using the excuse that Shoesmith has no ambition. He suggests to the naive younger man that he take out a bank loan and build up his business. Then he sails away with Tito and his copra.