The Other (punk band)
| Rich Kids on LSD | |
|---|---|
| Origin | Montecito, California, USA |
| Genres | Punk rock, skate punk, crossover thrash, hardcore punk, Nardcore |
| Years active | 1982–1989, 1992–1996, 2002–2006 |
| Labels | Mystic, Alchemy, Destiny, Epitaph, Malt Soda |
| Associated acts | Lagwagon, No Use for a Name, King City, Hotbox, The Other, Mad Caddies |
| Past members |
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Rich Kids on LSD (RKL) was a Californian hardcore punk band formed in 1982 in Montecito, California, a suburb of Santa Barbara. They were associated with the "Nardcore" scene that evolved out of nearby Oxnard. Their music expanded over the years from West Coast hardcore to a mix of hardcore with rock and metal elements. This style, along with touring, made them very popular on the European scene, especially among skaters in the 1980s and 1990s. Guitarist Chris Rest was the band's only consistent member.
The initial members of RKL got together at an early age. Chris Rest and Bomer Manzullo (sometimes credited as 'Bomber') were playing together and had asked Joey Cape to join as a second guitarist. Cape told them he would only join if Jason Sears could be the singer. Rest knew Sears from elementary school and youth soccer. Cape never ended up being in the band. RKL began playing shows around the area with a myriad of changes at second guitar and bass positions. In the end, Allen 'Alpo' Duncan joined as second guitarist and Vincent Peppars joined as bassist. Rest has said, "Bomer soon started writing the majority of the music."
The group's name came about as a mere fluke from some light hearted criticism. According to vocalist Jason Sears in a 2002 interview with Thrasher magazine: “it happened that some guy said, 'ha, those kids will never be anything, they're just a bunch of rich kids on LSD, man.' The first party we played we didn't have a name for the band, so we put that one on the flier and it just stuck.” The beanie boy logo was born one night while Bomer and Jason were being tattooed. Bomer was attempting to draw a dragon pattern. On seeing the drawing, Jason commented, "Yeah dude, it's Cecil! Where's Beanie?" Dan Sites was sitting alongside drawing a flyer for a show supporting Suicidal Tendencies in Oxnard and drew a beanie guy jumping from a building. Beanie boy was born.
Though not actually from the Oxnard area, RKL was still considered part of the Nardcore punk movement from Oxnard, California due to their close proximity to Oxnard and hardcore style. RKL recorded It's a Beautiful Feeling EP on Mystic Records, released in 1984. It is a 7-song release that included concert mainstays "Why", "Tell Me The Truth", and "Beautiful Feeling". Outside the studio while waiting for the rest of his bandmates to arrive, Bomer had a skateboarding accident that looked to be a broken wrist. Doug Moody, owner and operator of Mystic Records, duct taped his wrist then taped the drumstick to his hand so he could complete the session. All the artwork for the EP was done by Dan Sites marking the first official appearance of the popular "beanie boy" character, which would remain an icon for RKL for their entire career. RKL would play around California, and particularly enjoyed the scene in San Francisco, driving 6 hours to play shows and drive back. Eventually they decided to move there, minus Alpo. He did not wish to leave Santa Barbara. His position would remain empty for some time. After about five months Vince Peppars wanted to move back to Santa Barbara. Sears said:"...so we hooked up with Barry to cover for him. Then Vince came back and Barry went to guitar". This marked the entrance of Barry 'D'live' Ward to the fold. During this time RKL contributed various songs to a number of Mystic compilations. In 1985 the band soon recorded and released their first full-length LP, Keep Laughing on Mystic Records with Dan Sites once again providing artwork. This release included classic RKL tracks "Think Positive"(often played live as "Drink Positive"), "Ded Teds", and "Pothead" and has been named as one of the best skate punk records of all time. Ward, however, was not part of this recording. Ward said: "[RKL] moved back to Santa Barbara and I stayed in San Francisco until they came back after Keep Laughing was recorded." Following the release RKL toured and polished their live act. Things were not good between the band and Mystic Records. The deal the band signed was that they would be a paid a percentage of sales in merchandise. There is contention whether Mystic came through on that agreement. Doug Moody has stated Mystic fulfilled their end of the agreement while Ward has stated not only did they not receive much of anything in merchandise, the band had to eventually resort to bootlegging their own tapes and screening their own shirts to sell at shows. Ward was quoted as saying, "We were fucking broke, starving, dumpster diving for food, barely making gas money, and we kept going because that’s what we did. Doug Moody can say he financed the tours and paid us in merch but that’s completely untrue." Rest has also stated the band never received any money from Mystic.
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