The Original Mono Recordings
| The Original Mono Recordings | ||||
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| Compilation album by Bob Dylan | ||||
| Released | October 19, 2010 | |||
| Recorded | November 20, 1961 – November 29, 1967, Columbia Recording Studios, New York City and Nashville | |||
| Genre | Folk rock, folk, blues | |||
| Length | 383:45 | |||
| Label | Columbia/Legacy Recordings | |||
| Producer | Steve Berkowitz, John H. Hammond, Bob Johnston, and Tom Wilson | |||
| Bob Dylan chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |   |
| The Independent | |
| Classic Rock |  |
The Original Mono Recordings is a box set compilation album of recordings by Bob Dylan, released in October 2010 on Legacy Recordings, catalogue 88697761042. It consists of Dylan's first eight studio albums in mono on nine compact discs, the album Blonde on Blonde being issued on two discs in its original vinyl format. It does not include the singles collection Bob Dylan's Greatest Hits released during the same time span. The set includes a 56-page booklet with photographs, discographical information, and an essay by Greil Marcus. It peaked at #152 on the Billboard 200.
Mono was the playback medium for most record players, car radios, and transistor radios during the 1960s. Stereo playback systems had been available since the late 1950s, but the equipment and the albums mixed to play on them were expensive, and the music industry continued to manufacture mono albums and singles through the decade. Monophonic as a format would not be discontinued in both the United States and the United Kingdom until approximately 1969. As stated in the liner notes by Marcus,
This box collects Bob Dylan's first eight 12-inch LPs...as most people heard them, as they were expected to be heard, and as most often they were meant to be heard: in mono.
Moreover, the mixing of the album in mono was the chief priority of Dylan and his producers. Stereo was almost an afterthought. Producer Steve Berkowitz, who supervised the reissue of the The Original Mono Recordings was told by Bob Johnston about the mixing of Blonde on Blonde: "We mixed that mono probably for three or four days, then I said, 'Oh shit, man, we gotta do stereo.' So me and a coupla guys put our hands on the board, we mixed that son of a bitch in about four hours!... So my point is, it took a long time to do the mono, and then it was, 'Oh, yeah, we gotta do stereo'."
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