The Old Man in the Corner
Cover of the 1908 1st edition
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| Author | Baroness Orczy |
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| Country | United Kingdom |
| Language | English |
| Published | 1908 Hodder & Stoughton |
| Followed by | The Case of Miss Elliott |
The Old Man in the Corner is an unnamed armchair detective who appears in a series of short stories written by Baroness Orczy. He examines and solves crimes while sitting in the corner of a genteel London tea-room in conversation with a female journalist. He was one of the first of this character-type created in the wake of the huge popularity of the Sherlock Holmes stories. The character's moniker is used as the title of the collection of the earliest stories featuring the character.
The character first appeared in The Royal Magazine in 1901 in a series of six "Mysteries of London". The following year he returned in seven "Mysteries of Great Cities" set in large provincial centers of the British Isles. The stories are told by an unnamed lady journalist who reports the conversation of the 'man in the corner' who sits at the same table in the A.B.C. teashop. For the book, twelve were rewritten in the third person, with the lady journalist now named Polly Burton. The title, The Old Man in the Corner (U.S. edition: The Man in the Corner) was given to one of the book collections of the earliest stories. Although it contains the earliest written stories in the series, they were not collected in book form until four years after the chronologically later stories in The Case of Miss Elliott (1905). The last book in the series is the much later Unravelled Knots (1925).
The Old Man relies mostly upon sensationalistic newspaper accounts, with the occasional courtroom visit, and relates all this while tying complicated knots in a piece of string. The plots themselves are typical of Edwardian crime fiction, resting on a foundation of unhappy marriages and the inequitable division of family property. Other period details include a murder in the London Underground, the murder of a female doctor, and two cases involving artists living in "bohemian" lodgings. Another new and noteworthy feature is that no one is ever brought to justice. Though the villains are identified by the narrator (who disdains to inform the police), most cannot be proven guilty beyond a reasonable doubt.
The stories included in this volume are:
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