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The Mystery of the Wax Museum

Mystery of the Wax Museum
Mysteryofthewaxmuseum.jpg
theatrical release poster
Directed by Michael Curtiz
Produced by Henry Blanke (uncredited)
Hal B. Wallis (uncredited)
Screenplay by Don Mullaly
Carl Erickson
Based on "The Wax Works" (unpublished short story) by Charles S. Belden
Starring Lionel Atwill
Fay Wray
Glenda Farrell
Frank McHugh
Music by Cliff Hess (uncredited)
Cinematography Ray Rennahan
Edited by George Amy
Production
company
Distributed by Warner Bros.
Release date
  • February 18, 1933 (1933-02-18) (US)
Running time
77 minutes
Country United States
Language English
Budget $229,000

Mystery of the Wax Museum is a 1933 American pre-Code mystery-horror film directed by Michael Curtiz and released by Warner Bros. in two-color Technicolor. The film stars Lionel Atwill, Fay Wray, Glenda Farrell, and Frank McHugh.

The film, along with Warner's Doctor X, was the last dramatic fiction film made using the two-color Technicolor process.

Ivan Igor (Lionel Atwill) is a sculptor who operates a wax museum in 1921 London. He gives a private tour to a friend and an investor, showing them sculptures of Joan of Arc, Voltaire, and his favorite, Marie Antoinette. Formerly a stone sculptor who did wax modeling as a hobby, he explains he turned to wax sculpting completely because he felt more "satisfied" that he could reproduce "the warmth, flesh, and blood of life far better in wax than in cold stone". The investor, impressed by his sculptures, offers to submit Igor's work to the Royal Academy after he returns from a trip.

Unfortunately business at the museum is failing due to people's attraction to the macabre (a nearby wax museum caters to that). Igor's partner Joe Worth (Edwin Maxwell) proposes to burn the museum down for the insurance money of £10,000. Igor won't have it, but Worth starts a fire anyway. Igor tries to stop him, and he and Worth get into a fight. As they fight, wax masterworks are melting in the flames. Worth knocks Igor unconscious, leaving the sculptor to die in the fire. Igor survives, however, and reemerges 12 years later in New York City, reopening a new wax museum. His hands and legs have been badly crippled in the fire, and he must rely on assistants to create his new sculptures.


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