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The More You Ignore Me, the Closer I Get

"The More You Ignore Me, The Closer I Get"
MorrisseyIgnoreMe.jpg
Single by Morrissey
from the album Vauxhall and I
Released 28 February 1994
Format 7", 12", CD, cassette
Recorded June-August 1993 at Hook End Manor studio in Reading
Genre Indie pop
Length 3:43
Label Parlophone (UK)
Writer(s) Morrissey, Boz Boorer
Producer(s) Steve Lillywhite
Morrissey singles chronology
"Tomorrow"
(1992)
"The More You Ignore Me, The Closer I Get"
(1994)
"Hold on to Your Friends"
(1994)

"The More You Ignore Me, the Closer I Get" is a song by Morrissey, co-written by Boz Boorer released as a single in February 1994. It was taken from the then-unreleased Vauxhall and I album and was the first Morrissey single to be produced by Steve Lillywhite.

The extra B-side "I'd Love To." features Kirsty MacColl on backing vocals. The US and UK single releases each contained slightly different mixes of the track. Both mixes use the same take of the song, but the US version featuring less guitars, is three seconds shorter and includes additional synthesized sound effects (a percussive, glassy sound) throughout the song. The same synth effects are barely audible in the UK mix and in sections are completely absent. The US version of "I'd Love To" later appeared on the 1998 US compilation My Early Burglary Years. The UK version was included on the track listing on the 1997 cd reissue of Viva Hate, despite not being a contemporaneous recording from those sessions.

Reaching number 8 in the UK Singles Chart, the single became Morrissey's first top ten hit since "Interesting Drug" in 1989. It is also Morrissey's only charting single in the United States Billboard Hot 100, reaching number 46, as well as becoming a number 1 Hot Modern Rock Tracks chart hit.

In Australia, the single peaked at number 85 on the ARIA singles chart, and spent 4 weeks in the top 100.

NME gave the single a bad review, describing the song as a "formless neutered ramble" and that his "gleaming reputation tarnishes" with this release.

Ned Raggett of AllMusic said that initially the title track "semed [sic] a bit clumsy, with slightly repetitious lyrics and a bit of lazy feeling to it", but it was ultimately "another Morrissey classic, with good production from Steve Lillywhite and a low-key but confident performance from the band." B-side Used to Be a Sweet Boy was "more immediately affecting", and non-album track I'd Like To had a "mysterious, spacious band performance."


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