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The Moldy Peaches (album)

The Moldy Peaches
Moldypeachesalbum.jpg
Studio album by The Moldy Peaches
Released May 7, 2001
Genre Indie rock, lo-fi
Length 44:23
Label Rough Trade
The Moldy Peaches chronology
The Moldy Peaches
(2001)
County Fair/Rainbows
(2002)
Professional ratings
Review scores
Source Rating
AllMusic 1.5/5 stars
Hot Press 8/12
NME 8/10
Pitchfork 6.5/10
Rolling Stone 3/5 stars
The Rolling Stone Album Guide 4/5 stars
Sputnikmusic 3.5/5
Stylus Magazine C+
The Village Voice A–

The Moldy Peaches is the eponymous debut album by American indie rock band The Moldy Peaches. It was primarily recorded in a basement in Port Townsend, Washington and was released in 2001. The album has the dubious distinction of being released in the U.S. on September 11, 2001, the date of the attacks on the World Trade Center, and coincidentally containing the song "NYC's Like a Graveyard".

The song "Anyone Else but You" was used in the Academy Award-winning 2007 film Juno. The film and soundtrack also contain a version of the song performed by the two lead actors in the film, Ellen Page and Michael Cera.

In a positive review for NME magazine, music critic Kitty Empire called The Moldy Peaches "extremely amusing and often brilliant" because of its endearing songs and absurdist lyrics, which she felt distinguishes the band from other indie acts.Robert Christgau of The Village Voice found Dawson's songwriting more endearing and vulnerable than the "ambitious" Green, but said that they are both "cute folkies who break without warning into punk noise and sing a deeply catchy song called 'Who's Got the Crack,' cute floozies who'll fuck anybody with anything when that's their mood or stage of life".

In a less enthusiastic review for Rolling Stone, Jenny Eliscu wrote that the "joyously messy" album is made up mostly of "low-fi, potty-mouthed indie rock" and raunchy humor, which listeners will either find "hilarious or stupid".AllMusic's Daniel Greenwald was more critical and said the Moldy Peaches tried to be funny with their use of provocative language, but sounded like a witless, untalented version of the indie band Beat Happening.


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