The Midnight Organ Fight | ||||
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Studio album by Frightened Rabbit | ||||
Released | 15 April 2008 | |||
Recorded | Tarquin Studios, Bridgeport, Connecticut; Diving Bell Lounge; 2 Ruskin Place; 38 White Street, Glasgow, Scotland | |||
Genre | Indie rock, indie folk | |||
Length | 48:00 | |||
Language | Scottish English | |||
Label | Fat Cat | |||
Producer | Peter Katis | |||
Frightened Rabbit chronology | ||||
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Singles from The Midnight Organ Fight | ||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | (80/100) |
Review scores | |
Source | Rating |
The A.V. Club | A- |
Drowned In Sound | 9/10 |
The Fly | |
IGN | 9.8/10 |
Lost at Sea | 9.5/10 |
Mojo | |
Pitchfork Media | 8.1/10 |
Q | |
Sputnikmusic | 4.5/5 |
Tiny Mix Tapes |
The Midnight Organ Fight is the second studio album by Scottish indie rock band Frightened Rabbit. Recorded during 2007 between studios at Bridgeport, Connecticut and Glasgow, Scotland, the album was released on 15 April 2008 through independent label Fat Cat Records. Hailed by critics as "one of the finest [breakup records] of recent vintage", frontman Scott Hutchison has described the album as being "a lot more intense" than its predecessor Sing the Greys (2006). Following the album's completion, it took around a month for him to be able to listen to it. The album's title comes from a line in the song "Fast Blood", and is said to be a "euphemism for sex."
Upon its release, the album was greeted with widespread critical acclaim. Praise often centered on the writing, honest lyricism, and passionate delivery of the band. Viewed as a showpiece for modern Scottish music, the album has continued to receive recognition long after its release and has been featured on various year- and decade-end critic lists.
Having originally started as a solo project of singer-guitarist-lyricist Scott Hutchison in 2003, the band went on to release Sing the Greys - effectively an album of demos - in 2006 with a run of 1,000 copies. After signing to independent label Fat Cat Records in 2007 after gradually building their reputation from word of mouth, the band re-recorded several parts of the album and subsequently re-released it to serve as a "taster" for new material. To record The Midnight Organ Fight, the band stayed with producer Peter Katis (The National, Interpol) for a month at his home studio in Connecticut. Hutchison described the sessions as "hard work", having "spent really long days recording it." Despite this, he praised the work of Katis for being able to "bring a sonic muscle to the songs, and a trademark atmosphere that is entirely his own. He kind of pulled us out of the indie rock basement into a more luscious soundscape. He has a great pop sensibility."