The Marble Index | ||||
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Studio album by Nico | ||||
Released | November 1968 | |||
Recorded | September 1968 | |||
Studio | Elektra Studios, Los Angeles, United States | |||
Genre | ||||
Length | 30:48 | |||
Label | Elektra | |||
Producer |
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Nico chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
About.com | |
AllMusic | |
The Great Rock Discography | 7/10 |
MusicHound | 4/5 |
NME | 7/10 |
The Rolling Stone Album Guide | |
Sputnikmusic | |
Virgin Encyclopedia of Popular Music |
The Marble Index is the second solo album and third studio album by German musician Nico, which was released in November 1968 on Elektra Records. The avant-garde sound introduced in the album—a stark contrast with her folk pop debut, Chelsea Girl—was the result of the combination of Nico's droning harmonium and somber vocals, and producer John Cale's musical arrangements, which were inspired by modern European classical music. Nico envisioned the release as an attempt to get artistic legitimacy, thus also drastically changing the looks that had initially made her famous as a fashion model.
Although The Marble Index was largely unnoticed when it was released, it has achieved acclaim from music critics over time. Nico's unprecedented sound and personal style—both recognised for their tenebrous quality—are considered an influence on several artists. Most notably, they served as a musical and visual prototype for the 1980s post-punk movement's gothic rock scene. Nico and Cale continued working together, releasing two more studio albums in the same vein—Desertshore (1970) and The End... (1974)—which are now considered parts of a trilogy.
Nico had made her recording debut in 1965 with the single "I'm Not Sayin'"; at Andy Warhol's suggestion she joined The Velvet Underground as a chanteuse, and sang three tracks on their 1967 album The Velvet Underground & Nico. Nico and the group were regulars at the Factory. However, Lou Reed was reluctant to include her in the band. This, coupled with her desire to be a soloist, made Nico leave the group as casually as she had joined. The band members continued to accompany her as she performed on her own and played on her 1967 solo debut, Chelsea Girl. The folk-pop album included songs by Bob Dylan, Tim Hardin, and Jackson Browne (with whom Nico had a brief affair).