The Man from Utopia
| The Man from Utopia | ||||
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| Studio album by Frank Zappa | ||||
| Released | March 28, 1983 | |||
| Recorded | October 1980 - October 1982 | |||
| Genre | Hard rock, progressive rock, art rock, comedy rock | |||
| Length | 36:34 (original vinyl version) / 40:20 (CD) | |||
| Label | Barking Pumpkin | |||
| Producer | Frank Zappa | |||
| Frank Zappa chronology | ||||
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| Singles from The Man from Utopia | ||||
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| Source | Rating |
| Allmusic |   |
The Man from Utopia is a 1983 album by Frank Zappa. The album is named after a 1950s song, written by Donald and Doris Woods, which Zappa covers as part of "The Man from Utopia Meets Mary Lou".
"The Dangerous Kitchen", "Mōggio" and "The Jazz Discharge Party Hats" were all prepared for Zappa's unreleased album Chalk Pie.
The sleeve art features the work of Tanino Liberatore. It portrays Zappa on stage trying to kill mosquitoes. That is a reference to a concert held in Italy in 1982, the year before the release of the album, on 7 July at Parco Redecesio (which is also referred in a street sign on the album cover) in Segrate, near Milan. While Zappa was playing a huge number of mosquitoes began flying on stage and gave the band a hard time. The back cover shows the audience as seen from the stage during the 1982 concert in Palermo, which ended in a riot. The album was the second of two to credit Steve Vai with "impossible guitar parts" (the first being the preceding album Ship Arriving Too Late to Save a Drowning Witch).
The album's opening track "Cocaine Decisions", with its groove redolent of skiffle washboards, is an attack on drug-influenced businessmen and features a harmonica. "The Dangerous Kitchen" satirizes dirty, unkempt kitchens.
"Kitchen", "Radio", and "The Jazz Discharge Party Hats" all feature Zappa's "meltdown" style of generally pre-written but sometimes improvised singing/speaking. For "Jazz" and "Kitchen", Zappa had guitarist Steve Vai overdub complex guitar parts for the entire length of the songs, which perfectly copied Zappa's every word and syllable. This unique type of overdub was a one-time experiment that Zappa never repeated. Hungarian composer Péter Eötvös said in an interview:
"Dangerous Kitchen", off the album "The Man From Utopia", grew to become a basic piece for me, especially in later years, after I began working on operas. The technique that he uses in this particular song is very interesting: it's this half-sung, half-spoken performing method that's not quite like Sprechgesang, but what makes it so interesting is that he accompanies it with an instrumental solo. I was very surprised to find out that the guitar part was recorded separately. As it seemed so synchronous, I was convinced that Zappa had sung and played at the same time. Nevertheless the technique itself, the idea of "the singing instrument" comes from "Dangerous Kitchen".
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