The Makers of the Dead Travel Fast
| The Makers of the Dead Travel Fast | |
|---|---|
| Origin | Sydney, New South Wales, Australia |
| Genres | Experimental |
| Years active | 1980–1983 |
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The Makers of the Dead Travel Fast, sometimes seen as The Dead Travel Fast, were an Australian experimental music band formed in 1980. They issued two albums, The Vessels (1981) and Zoom Is Less than Man (1983), before disbanding in 1983.
The Makers of the Dead Travel Fast were formed in Sydney in 1980 as an experimental music group by Greg Addison on guitar and vocals; David Bullock on percussion; Steve Couri on bass guitar; Shane Fahey on synthesiser and vocals; Peter Richardson on piano, percussion and vocals; and Tim Schultz on saxophone, vocals and percussion. The band's name is a quote from Bram Stoker's Dracula.
Australian musicologist, Ian McFarlane, felt they "created evocative washes of electronic soundscapes punctuated by all manner of percussion, eerie vocals, fluttering guitar and delicate sax." They signed with M Squared late in 1980, which was a label and studio set up by Scattered Order's Mitch Jones and Michael Tee. Jonathan Green of The Canberra Times observed that the label's music "has been fundamentally electronic, always different and often very good... that lay well to left field and would have been too risky, adventurous or good for other established companies."
The Makers of the Dead Travel Fast issued their debut single, "Tael of the Saeghors", in December 1980. McFarlane stated that it "became something of a cult hit, and the band made its first live appearances." Bullock had left before the single appeared. In February 1981 another The Canberra Times correspondent opined that they "released a rather remarkable single last year and should prove interesting," when recommending their gig at the Australian National University.
Phil Turnbull of No Night Sweats felt that "Tael of the Saeghors" was "one of the best songs I've ever heard: Floating, watery sounds made by synths and bubble-makers lead into a lilting, gorgeous two chord progression in 3/4 time and psuedo pirate verse ('ay, capn', et al) followed by a late-night busker sax melody that takes the place of the chorus. I've never heard anything remotely like it before or since."
Vessels, the group's debut album, appeared in 1981, which McFarlane described as having "mixed atmospheric, uncluttered sound textures with understated dynamics. The music drew certain parallels with the work of Brian Eno and the second side of David Bowie's Low." They followed with a four-track extended play, Why Won't We Wake?, at the end of that year. The group went into hiatus for about a year.
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