The Lucksmiths | |
---|---|
The Lucksmiths, Knitting Factory, New York City, September 2007
|
|
Background information | |
Origin | Melbourne, Victoria, Australia |
Genres | Indie pop |
Years active | 1993 | –2009
Labels | Candle/MGM |
Associated acts | The Buzzards, Last Leaves |
Past members |
|
The Lucksmiths were an Australian indie pop band formed in March 1993 by Marty Donald on guitar, Mark Monnone on bass guitar and Tali White on drums and lead vocals. Louis Richter (ex-Mid State Orange) joined on guitar in 2005. They released eight studio albums, First Tape (1 September 1993), The Green Bicycle Case (July 1995), What Bird Is That? (September 1996), A Good Kind of Nervous (1997), Why That Doesn't Surprise Me (5 March 2001), Naturaliste (10 March 2003), Warmer Corners (4 April 2005) and First Frost (2008), before disbanding in August 2009. The group provided witty, intelligent lyrics, a strong melodic sense and a jangly pop sound harkening back to early-1980s bands such as The Smiths and The Go-Betweens.
The Lucksmiths were formed in March 1993 in Melbourne as an indie pop band by guitarist Marty Donald, bass player Mark Monnone, and drummer-vocalist Tali White, who were all high school friends. Both Donald and Monnone were members of a school boys band, The Buzzards, "sharing a love for the Cowboy Junkies, The Rolling Stones and Billy Bragg." Soon after White joined and the group practised at Donald's home. Donald and White began writing songs together while the Buzzards disbanded and Monnone travelled to visit Finland.
The trio reconvened as the Lucksmiths in March 1993, their first gig was on 2 April of that year, "supporting The Sugargliders and The Daily Planets at the Evelyn [Hotel] in Fitzroy." Their debut album, First Tape (1 September 1993), appeared on a cassette. It was recorded on 22 August 1993 by Rex Hardware at the Bridge Mall Inn in Ballarat. Aside from regular drums and lead vocals, White also provided harmonica and tambourine. AllMusic's Ned Raggett noticed "the charm of the group is captured in a brisk and simple way... White's lovely voice, direct and warm with Australian accent perfectly audible, somehow just beautifully suggests a certain winsome attitude without calling to mind all the stereotypes of twee indie: conversational instead of self-pitying, wryly observant instead of smirkily pithy."