The Loving Kind (Nanci Griffith album)
| The Loving Kind | ||||
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| Studio album by Nanci Griffith | ||||
| Released | June 9, 2009 | |||
| Genre | Folk, country | |||
| Label | Rounder | |||
| Producer | Pat McInerney and Thomm Jutz | |||
| Nanci Griffith chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |    |
| The Austin Chronicle | |
| BBC Music | (positive) |
| Billboard | (positive) |
| Exclaim! | (favorable) |
| PopMatters |   |
| USA Today | |
The Loving Kind is the 19th album by singer-songwriter Nanci Griffith. It was released June 9, 2009 on Rounder Records. Comprising thirteen songs (A fourteenth was released as a bonus track on iTunes), it was her first release of all new material since 2005. The album tackles political topics such as Loving vs. Virginia ("The Loving Kind") and capital punishment ("Not Innocent Enough"), as well as songs about Griffith's heroes, such as Townes Van Zandt ("Up Against the Rain").BBC Music gave the album a generally positive review, stating that "It does sound like her muse is finally on the mend."
The lyrics in The Loving Kind are much more political than Griffith's previous work. The song The Loving Kind was written after Griffith read an obituary of Mildred Loving, the plaintiff in the 1967 U.S. Supreme Court case Loving v. Virginia that invalidated laws prohibiting interracial marriage.
"Money Changes Everything" and "Things I Don't Need" reflect the economic downturn that took place as the album was being written. "Up Against the Rain" and "Cotton" were written about Townes Van Zandt and Lyndon B. Johnson, while "Not Innocent Enough" is about Phillip Workman, a man who was sentenced to death after the shooting of a police officer. "Across America" is about Barack Obama's campaign, while "Still Life" is a glaring criticism of George W. Bush. "Sing" is an autobiographical song about Griffith's love for Folk and Country Music.
The album received mostly positive reviews. USA Today's Jerry Shriver gave the album 3 out of 4 stars, stating: "Wielding a clear, insistent voice and a soft acoustic guitar, the folkie star tackles a host of weighty topics, including interracial marriage, capital punishment and the second Bush era. But this is no tedious polemic: A crack backing group renders sweet country-inflected arrangements, and Griffith tosses in a couple of honky-tonkish weepers and a tender ode to Townes Van Zant [sic]."
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