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The Love for Three Oranges

The Love for Three Oranges
satirical opera by Sergei Prokofiev
Sergei Prokofiev circa 1918 over Chair Bain.jpg
The composer in 1918
Native title
  • L'amour des trois oranges
  • Любовь к трём апельсинам, Lyubov' k tryom apel'sinam)
Librettist Prokofiev
Language French (originally)
Based on L'amore delle tre melarance
by Carlo Gozzi
Premiere 30 December 1921 (1921-12-30)
Auditorium Theatre, Chicago

The Love for Three Oranges, Op. 33, also known by its French language title L'amour des trois oranges (Russian: Любовь к трём апельсинам, Lyubov' k tryom apel'sinam), is a satirical opera by Sergei Prokofiev. Its French libretto was based on the Italian play L'amore delle tre melarance by Carlo Gozzi. The opera premiered at the Auditorium Theatre in Chicago, Illinois, on 30 December 1921.

The opera was the result of a commission during Prokofiev's successful first visit to the USA in 1918. After successful concerts in Chicago (including his First Symphony), he was approached by the director of the Chicago Opera Association, Cleofonte Campanini, to write an opera. Conveniently, Prokofiev had drafted a libretto during his trip to the US; he had based it on Carlo Gozzi's play in the Commedia dell'arte tradition, (which was itself based on Giambattista Basile's fairy tale "The Love for Three Oranges"). The eventual libretto was adapted by Prokofiev from Vsevolod Meyerhold's translation of Gozzi's play. The adaptation modernized some of the Commedia dell'arte influences and also introduced a dose of Surrealism. Due to Prokofiev's own scanty knowledge of English, and as Russian would have been unacceptable to American audiences, the initial version was set in French, with the possible assistance of the soprano Vera Janacopoulos, as L'Amour des trois oranges.

The opera received its premiere performance on 30 December 1921 at the Auditorium Theatre in Chicago, conducted by Prokofiev. It received its first Russian production in Petrograd (now St. Petersburg) in 1926 and has since entered the standard repertoire of many opera companies.


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