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The Last Drive


The Last Drive is a Greek punk garage rock group which formed in 1983, broke up in 1995, and reunited in January 2007.

The Last Drive started playing under the name "Last Drive" in late 1983 and their first performance was at the "Rodeo club" on December 27, 1983. They adopted the name "Last Drive" after noticing a cocktail by that name at a bar menu. During 1984, Yiorgos Karanikolas was added on lead guitar. The group was basically playing garage rock mixed with rockabilly and surf rock. They started playing in underground joints of that time, while some band members played with Blue Light (group) at their first live performance at Pegasus club. In 1985 they released their first record, the 7" single Midnite Hop, which now is the most sought-after record by collectors in Greece. They also participated with a song in a compilation tape by Dikaioma Diavasis records, Live at the Kyttaro club. In 1986 they released their full-length LP album Underworld Shakedown, the content and the quality of production (by the Drive themselves) of which was considered by some as unusually high for the standards of the independent scene of that time. The LP contained covers of garage standards such as Misirlou and Night of the phantom, as well as their own material.

They continued to appear live in Athens and many other cities in Greece, and in the spring of 1987 they toured abroad for the first time, in Germany, Italy, France and the Netherlands. They performed alongside the Fuzztones, the Creeps, the Stomachmouths, the Dizzy Satellites and others. In 1988, having replaced Nick "Pop Mind" with Panos Kasiaris on rhythm guitar, they released Heatwave, which was produced by Peter Zaremba of the Fleshtones. That was the album that brought them to the attention of Music Maniac Records, a German label specializing in garage-rock releaseses, which re-released it with a new cover. This release brought them to Germany, where they participated in the Berlin Independence Days festival and also recorded the Time EP.

By this time the sound of the group had started to somewhat change, becoming harder and speedier and moving towards stoner rock and neo-psychedelia, without however burning the bridges with its garage past. The band also caught the eye of Paul Cutler, of Dream Syndicate fame, who would produce their next two records.


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