The Hound
| "The Hound" | |
|---|---|
| Author | H. P. Lovecraft |
| Country | United States |
| Language | English |
| Published in | Weird Tales |
| Publication type | Periodical |
| Media type | Print (Magazine) |
| Publication date | February 1924 |
"The Hound" is a short story written by H. P. Lovecraft in September 1922 and published in the February 1924 issue of Weird Tales. It contains the first mention of Lovecraft's fictional text the Necronomicon.
On September 16, 1922, Lovecraft toured the Flatbush Reformed Church in Brooklyn with his friend Rheinhart Kleiner, writing about the visit in a letter:
Lovecraft wrote "The Hound" shortly afterwards, using as the name of one of the main characters his nickname for his companion Kleinhart, "St. John". The grave that is fatefully robbed in the story is in a "terrible Holland churchyard"—perhaps a reference to Flatbush church being part of the Dutch Reformed Church (although the story is actually set in the Netherlands, as well as in England).
Critic Steven J. Mariconda suggests that the story is a tribute to the Decadent literary movement in general and in particular Joris-Karl Huysmans' A rebours, an 1884 novel that Lovecraft greatly admired. (Huysmans is mentioned by name in the story, along with Baudelaire.) Like "The Hound"'s protagonists, victims of a "devastating ennui", the main character of A rebours suffers from an "overpowering tedium" that leads him to "imagine and then indulge in unnatural love-affairs and perverse pleasures."
Mariconda also points to the heavy debt the story owes to Edgar Allan Poe, an influence acknowledged by several borrowed phrases:
Though Lovecraft chose "The Hound" as one of the five stories he initially submitted to Weird Tales, his main professional outlet, he later dismissed it as "a dead dog" and "a piece of junk"
Some critics have shared Lovecraft's deprecation; Lin Carter called it "a minor little tale" that is "slavishly Poe-esque in style". But the story has its defenders; Steven J. Mariconda says it is "written in a zestful, almost baroque style which is very entertaining", while Peter Cannon, saying that it must have been written "with tongue at least partly in cheek", credits it with a certain "naive charm".
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