The Great Silence (Il grande silenzio) |
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Italian film poster by Giuliano Nistri
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Directed by | Sergio Corbucci |
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Story by | Sergio Corbucci |
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Music by | Ennio Morricone |
Cinematography | Silvano Ippoliti |
Edited by | Amedeo Salfa |
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105 minutes |
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The Great Silence | |
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Soundtrack album by Ennio Morricone | |
Length | 34:43 |
Label | Parade |
The Great Silence (Italian: Il grande silenzio), also known by its alternative UK title The Big Silence, is a 1968 revisionist Spaghetti Western film directed and co-written by Sergio Corbucci. An Italian-French co-production, the film stars Jean-Louis Trintignant, Klaus Kinski, Vonetta McGee (in her film début) and Frank Wolff, with Luigi Pistilli, Mario Brega, Marisa Merlini and Carlo D'Angelo in supporting roles.
Conceived by Corbucci as a politically-charged allegory inspired by the deaths of Ernesto "Che" Guevara and Malcolm X, the film's plot takes place in Utah prior to the Great Blizzard of 1899. It pits a mute gunslinger (Trintignant), fighting in the defence of a group of outlaws and a vengeful young widow (McGee), against a group of ruthless bounty killers led by "Loco" (Kinski) and the corrupt banker Henry Pollicut (Pistilli). Unlike most films of the genre, which were filmed in the Almería province of Spain to double for areas such as Texas and Mexico, The Great Silence was filmed on location primarily in the Italian Dolomites.
Distributed in most territories by 20th Century Fox, The Great Silence was theatrically released to a mediocre commercial reception in Italy, but it fared better in other countries. The film was withheld from release in the United States until 2001, when it was made available on DVD by Fantoma Films and Image Entertainment. Controversial for its bleak and dark tone, the film's reputation grew, and it gained a cult following in the wake of its release. The Great Silence is now widely regarded by fans and authorities on Spaghetti Westerns as one of the greatest films of the genre, and is acknowledged as Corbucci's masterpiece. Praise has gone to the acting, the utilization of snowbound landscapes, Ennio Morricone's score, and the film's subversion of several conventions of the Western film genre.