The Great Music Experience

The Great Music Experience was a concert starring Japanese and international musicians staged at the eighth century Buddhist temple of Tōdai-ji, in Nara, Japan in May 1994. The concert, held over three nights (May 20 - May 22) and partly backed by UNESCO, took place in front of the world's largest wooden building, housing the largest Buddha statue in the world.

UNESCO hoped that the event would be the first of seven annual concerts that would take place at some of the world's architectural treasures - the sites it had in mind included the Pyramids, China's Forbidden City and the Taj Mahal - but nothing came of the idea. A concert earmarked for a Mexican pyramid was called off because of the collapse of the peso.

The Tōdai-ji concert brought together Japanese and Western musicians playing music showing the influences of both cultures. The musicians included Bob Dylan, Jon Bon Jovi, Joni Mitchell and INXS. Dylan played in front of the Tokyo New Philharmonic orchestra, the first time he had played with an orchestra.

The priests of Tōdai-ji agreed to stage the concert only after talks lasting several months with British producer Tony Hollingsworth. Shinkai Shindō, the head priest, said that Buddhism aimed to make people happy and that the concert would make the religion more appealing to young people. UNESCO said that it would not have gone ahead if it was not convinced that the site would be respected in a physical, cultural and religious sense.

UNESCO hoped that a series of concerts would be able to use the appeal of rock musicians to widen the audience for the world's cultural heritage. The Tōdai-ji concert would also help to promote traditional Japanese music. It was important for traditional musicians to stand on the same stage with Dylan and Bon Jovi.

Hollingsworth said that his aim was to create a "roller coaster of musical cultures", with Japanese and Western artists playing together after a week of rehearsals. The final night's concert on May 22 was broadcast to 50 countries but, with a breakdown of equipment, a tape recording of the second night was interwoven with the live concert for some of the time. Two documentaries were also broadcast, showing western artists watching Japanese cultural events and rehearsing with Japanese musicians.

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Wikipedia