The Garden of Eden (1928 film)
| The Garden of Eden | |
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Theatrical release poster
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| Directed by | Lewis Milestone |
| Produced by | Feature Productions, Incorporated |
| Written by | Hanns Kräly |
| Based on |
The Garden of Eden by Rudolf Bernauer, Rudolf Österreicher and Avery Hopwood |
| Starring | Corinne Griffith |
| Music by | Robert Israel |
| Cinematography | John Arnold |
| Edited by | John Orlando |
| Distributed by | United Artists |
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Release date
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Running time
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79 minutes |
| Country | United States |
| Language | English |
The Garden of Eden is a 1928 silent film starring Corinne Griffith. It was adapted from Avery Hopwood's short-lived stage production.
A print is preserved in the Library of Congress collection. Also prints held by George Eastman House, UCLA Film and Tv and Filmoteca De Catalunya, Barcelona.
A Viennese named Toni LeBrun, (Corinne Griffith), is determined not to be content in her current life, staying with her aunt and uncle and working in their pretzel bakery. The young girl earns a correspondence course degree as an opera singer and dreams of fame on the stage. She decides to leave her small town life, traveling to Budapest to answer an ad from the Palais de Paris. However, the ad was a sham, a way to get girls for cheap stage shows and more, for its wealthier clientele.
When she arrives, Toni is confused when the manager, the lecherous (and quite possibly lesbian) Madame Bauer (Maude George), asks her to show her bare legs in lieu of exhibiting her singing voice. She is hired nonetheless, having been deemed sexy enough, while still ignorant of the set-up. She refuses to wear the skimpy costume assigned and is given a white puritan-style costume instead. Before the show, the manager greets aristocrat Henri D'Avril (Lowell Sherman), giving him a menu (of sorts) of the showgirls from which to choose. When he asks if there is anyone new, he is directed to Toni's name on the program. When Toni begins her performance in earnest, the audience starts to slumber, given her conservative dress. But the manager directs a lighting change, which causes her translucent clothing become highly revealing and quite nearly see-through. Through their reaction, Toni realizes what has happened and runs off the stage where she is comforted by the wardrobe woman, Rosa (Louise Dresser), the only friend she's made since arriving in the city.
However, Madame Bauer is not through with Toni yet, she has arranged a rendezvous for her with D’Avril in a room off the stage. Once locked inside with Toni, he quickly tries to take advantage. She struggles against his advances which are heard by Rosa, who is able to come to her rescue. When Madame Bauer discovers that her client didn't get what he wanted, she fires Toni and Rosa on the spot. Conveniently, Rosa was about to leave on a two-week vacation anyway and persuades the forlorn Toni to go with her. They go to Monte Carlo, but Toni is now suspicious of other people's motives. So when Rosa signs the Eden Hotel register as Baroness & her daughter, Toni accuses her of being no better than Madame Bauer. However, Rosa has documentation which proves that she is in fact a Baroness, and tells Toni that she signed the registration that way because she wishes it were so. Only much of her fortune was lost after the First World War and she can only afford such trips by living frugally for the rest of the year.
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