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The Fugs First Album

The Village Fugs
(aka "The Fugs First Album")
TheFugsFirstAlbum.jpg
Studio album by The Fugs
Released 1965
Recorded 1965
Genre Psychedelic folk, garage rock
Length 27:29
Label Folkways
ESP-Disk
Producer Ed Sanders, Harry Smith
The Fugs chronology
The Village Fugs
(aka "The Fugs First Album")

(1964)
The Fugs
(1966)
Professional ratings
Review scores
Source Rating
Allmusic 3/5 stars
Robert Christgau A−

The Fugs First Album is the 1965 debut album by The Fugs, described in their AllMusic profile as "arguably the first underground rock group of all time". In 1965, the album charted #142 on Billboard's "Top Pop Albums" chart. The album was originally released in 1965 as The Village Fugs Sing Ballads of Contemporary Protest, Point of Views, and General Dissatisfaction on Folkways Records before the band signed up with ESP-Disk, who released the album under its own label with a new name in 1966. The album was re-released in 1993 on CD with an additional 11 tracks.

When poet and publisher Ed Sanders established a bookstore next to the apartment of beat poet and publisher Tuli Kupferberg in 1963, the two decided to form a band, The Fugs, writing 50-60 songs between them prior to asking Ken Weaver to join. The trio invited Steve Weber and Peter Stampfel of the band Holy Modal Rounders to perform with them at the 1963 grand opening of Sanders' bookstore. Sanders describes the event as heavily attended, with William S. Burroughs, George Plimpton and James Michener among the luminaries in attendance. Harry Everett Smith, producer of the famous Anthology of American Folk Music, persuaded Folkways Records to issue the Fugs' first album. Following recording sessions in April and June or July 1965, the album The Village Fugs—Ballads and Songs of Contemporary Protest, Points of View and General Dissatisfaction was released (Broadside BR 304; also listed with a related Folkways serial number, FW 05304, though it is unclear whether this is a separate pressing/edition). Following a nationwide tour, The Fugs signed a contract with ESP-Disk, who re-released the album in 1966 (ESP-1018), in both mono and stereo, with some changed edits and one substituted take (see below).


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