The Frighteners | |
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Theatrical release poster
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Directed by | Peter Jackson |
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Written by |
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Starring | |
Music by | Danny Elfman |
Cinematography |
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Edited by | Jamie Selkirk |
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Distributed by | Universal Pictures |
Release date
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Running time
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110 minutes |
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Language | English |
Budget | $26 million |
Box office | $29.3 million |
The Frighteners | ||||
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Soundtrack album by Danny Elfman | ||||
Released | July 19, 1996 | |||
Genre | Film score | |||
Length | 41:14 | |||
Label | Universal | |||
Danny Elfman chronology | ||||
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Professional ratings | |
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Source | Rating |
Allmusic | link |
Filmtracks | link |
The Frighteners is a 1996 New Zealand-American fantasy horror comedy film directed by Peter Jackson and co-written with his wife, Fran Walsh. The film stars Michael J. Fox, Trini Alvarado, Peter Dobson, John Astin, Dee Wallace Stone, Jeffrey Combs, R. Lee Ermey and Jake Busey. The Frighteners tells the story of Frank Bannister (Fox), an architect who develops psychic abilities allowing him to see, hear, and communicate with ghosts after his wife's murder. He initially uses his new abilities to befriend ghosts, whom he sends to haunt people so that he can charge them handsome fees for "exorcising" the ghosts. However, the spirit of a mass murderer appears able to attack the living and the dead, posing as the Grim Reaper, prompting Frank to investigate the supernatural presence.
Jackson and Walsh conceived the idea for The Frighteners during the script-writing phase of Heavenly Creatures. Executive producer Robert Zemeckis hired the duo to write the script, with the original intention of Zemeckis directing The Frighteners as a spin-off film of the television series, Tales from the Crypt. With Jackson and Walsh's first draft submitted in January 1994, Zemeckis believed the film would be better off directed by Jackson, produced by Zemeckis and funded/distributed by Universal Studios. The visual effects were created by Jackson's Weta Digital, which had only been in existence for three years. This, plus the fact that The Frighteners required more digital effects shots than almost any movie made until that time, resulted in the eighteen-month period for effects work by Weta Digital being largely stressed.