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The French Lieutenant's Woman

The French Lieutenant's Woman
A red, first-edition hardback cover of The French Lieutenant's Woman with gold embossed title and author's name on the front cover and a black printed bramble of thorns separating the two.
First edition hardback
Author John Fowles
Country Great Britain
Language English
Genre Postmodern literature, romance novel, historical fiction, historiographic metafiction
Published 1969 (Jonathan Cape)
Media type Print
Pages 445
ISBN
OCLC 40359110
823/.9/14
LC Class PZ4.F788 Fr PR6056.O85

The French Lieutenant's Woman is a 1969 postmodern historical fiction novel by John Fowles. It was his third published novel, after The Collector (1963) and The Magus (1965). The novel explores the fraught relationship of gentleman and amateur naturalist Charles Smithson and Sarah Woodruff, the former governess and independent woman with whom he falls in love. The novel builds on Fowles' authority in Victorian literature, both following and critiquing many of the conventions of period novels.

Following publication, the library magazine American Libraries, described the novel as one of the "Notable Books of 1969". Subsequent to its initial popularity, publishers produced numerous editions and translated the novel into many languages; soon after the initial publication, the novel was also treated extensively by scholars. The novel remains popular, figuring in both public and academic conversations. In 2005, Time magazine chose the novel as one of the 100 best English-language novels published between 1923 and 2005.

Part of the novel's reputation is based on its expression of postmodern literary concerns through thematic focus on metafiction, historiography, metahistory, Marxist criticism and feminism. Stylistically and thematically, Linda Hutcheon describes the novel as an exemplar of a particular postmodern genre: "historiographic metafiction." Because of the contrast between the independent Sarah Woodruff and the more stereotypical male characters, the novel often receives attention for its treatment of gender issues. However, despite claims by Fowles that it is a feminist novel, critics have debated whether it offers a sufficiently transformative perspective on women.


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