The Fightin' Side of Me (album)
| The Fightin' Side of Me | ||||
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| Live album by Merle Haggard and the Strangers | ||||
| Released | 1970 | |||
| Recorded | February 14, 1970 Philadelphia's Civic Center Hall, Philadelphia, PA | |||
| Genre | Country | |||
| Label | Capitol | |||
| Producer | Ken Nelson | |||
| Merle Haggard and the Strangers chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |
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| Robert Christgau | (C+) |
The Fightin' Side of Me is the eleventh studio album by Merle Haggard and the Strangers, released in 1970. Like the song "Okie from Muskogee" led to a quickly released album, The Fightin' Side of Me was also quickly released because of the run of success of Haggard's patriotic hit single "The Fightin' Side of Me".
The success of "Okie from Muskogee" brought Haggard's music to the attention of listeners and performers outside the country music field. The Byrds, for example, had already been performing his songs in concert, and counterculture legends the Grateful Dead began covering "Okie from Muskogee" in concert for the very same hippies that the song derides (Phil Ochs and the Beach Boys were among some of the other acts that played the song in concert). Whether these rock and rollers were simply amused by Haggard's song or genuinely impressed by his run of hits in the latter part of the decade, it was all made a moot point by the time he released the single "The Fightin' Side of Me" in 1970, a song that was so unapologetically right wing that it left no doubt as to where Haggard stood politically. It became his fourth consecutive #1 country hit and also made an appearance on the pop chart, but any ideas that Haggard was a closeted liberal sympathizer were irretrievably squashed. In the song, Haggard allows that he doesn't mind the counterculture "switchin' sides and standin' up for what they believe in" but resolutely declares, "If you don't love it, leave it!" In May 1970, Haggard explained his view of the counterculture to John Grissom of Rolling Stone, "I don't like their views on life, their filth, their visible self-disrespect, y'know. They don't give a shit what they look like or what they smell like...What do they have to offer humanity?"
Ironically, Haggard had wanted to follow "Okie from Muskogee" with "Irma Jackson," a song that dealt head-on with an interracial romance between a white man and an African-American woman. His producer Ken Nelson discouraged him from releasing it as a single. As Jonathan Bernstein recounts in his online Rolling Stone article "Merle Haggard Reluctantly Unveils 'The Fightin' Side of Me'", "Hoping to distance himself from the harshly right-wing image he had accrued in the wake of the hippie-bashing "Muskogee," Haggard wanted to take a different direction and release "Irma Jackson" as his next single... When the Bakersfield, California native brought the song to his record label, executives were reportedly appalled. In the wake of 'Okie,' Capitol Records was not interested in complicating Haggard's conservative, blue-collar image." After "The Fightin' Side of Me" was released instead, Haggard later commented to the Wall Street Journal, "People are narrow-minded. Down South they might have called me a nigger lover."
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