The Dismemberment Plan Is Terrified | ||||
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Studio album by The Dismemberment Plan | ||||
Released | March 17, 1997 | |||
Recorded | Inner Ear Studios | |||
Genre | Post-hardcore,Post-punk revival | |||
Length | 44:52 | |||
Label | DeSoto | |||
The Dismemberment Plan chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
Christgau's Consumer Guide | A− |
The Rolling Stone Album Guide | |
Tiny Mix Tapes | 5/5 |
The Dismemberment Plan Is Terrified is the second studio album by American indie rock band The Dismemberment Plan. It was released on March 17, 1997 on Desoto Records. Musically, the album is "less violent and less extravagant" than its predecessor, !. The album received positive reviews from critics, and got the band to sign with major record label Interscope.
Musically, the album can be described as a bridge between hardcore and noise rock. The track "That's When the Party Started" has a synthpop feel, while the fourth track on the album, "Academy Award", is featured as a remix by Cex on the band's final album A People's History of the Dismemberment Plan. It is the only song from The Dismemberment Plan Is Terrified to be remixed for it. "The Ice of Boston" was later released on an extended play of the same name, during their brief stint with Interscope Records. The song is spoken-word and contains references to songwriter Jonathan Richman and singer-songwriter Gladys Knight's song "Midnight Train to Georgia". Dismemberment Plan lead singer Travis Morrison described the album as "very confrontational", saying "it's the least melodic record we have, it's the most dedicated to hip-hop record we have".
The Dismemberment Plan Is Terrified received positive reviews from music critics. Brian Raftery of AllMusic commented that the album was not as good as The Dismemberment Plan's debut album, !, but nevertheless named "That's When the Party Started", "The Ice of Boston", and "Do the Standing Still" as standout tracks of the album.Metroactive praised the album for being "wonderfully varied", also saying "no two tracks sound alike". The review concluded with the reviewer calling the album "a mess that's hard to resist."