The Didjits
| The Didjits | |
|---|---|
| Origin | Mattoon, Illinois, United States |
| Genres | Punk rock, hardcore punk, rock and roll |
| Years active | 1983–1994, 2006 |
| Labels |
Bam Bam Records Touch and Go Records |
| Associated acts |
Supersuckers Lee Harvey Oswald Band Scratch Acid Rapeman Ministry The Big Boys Helios Creed Lard Tad Gaza Strippers The Offspring |
| Website | www.touchandgorecords.com |
| Members |
Rick Sims aka Rick Didjit Doug Evans Rey Washam |
| Past members | Brad Sims |
The Didjits were an American punk rock band formed in Mattoon, Illinois in 1983, comprised Rick Sims (a.k.a. Rick Didjit) on guitar/vocals, Doug Evans on bass, and Rick's brother Brad Sims, on drums. Didjits were known for the aggressive guitar playing and persona of Rick Sims, who often baited the audience between songs, and took plenty of abuse for it. Moreover, the band also added odd stunts and theatrical bits to some of their stage shows, particularly when playing in Chicago and Champaign.
They released their first album in 1986 on Bam Bam Records and disbanded in 1994, but briefly reunited in 2006. Brad Sims left the band in 1992. Former Scratch Acid drummer Rey Washam filled in for the Little Miss Carriage EP, and Todd Cole eventually took over as the drummer. Their song "Killboy Powerhead" was covered by The Offspring on their breakthrough 1994 album Smash. However, they didn't seem to understand a portion of the lyrics and sang it as "He's a pistol grip", which is physically impossible.
Fizzjob, their debut album, was produced by Iain Burgess (who has worked with Naked Raygun, Effigies and Mega City Four, among others). Many of the songs on the album (and a couple subsequent releases) had appeared on self-released cassettes such as Whoop My Head and Signifies My Go-T. The album showcased the burgeoning songwriting talents of Rick Sims, along with his fast, stinging guitar leads. They played their souped up rock and roll with plenty of speed. Underneath the fun and fury, the band displayed a real feel for classic rock forms from Jerry Lee Lewis (spoofed and honored in the opening cut "Jerry Lee") to Ramones to AC/DC and others. Highlights include the dynamic "Fix Some Food Bitch", the melodic "California Surf Queen", the dramatic "Mexican Death Horse" and the smart ass "Beast Le Brutale".
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