The Cricket on the Hearth
Frontispiece of second edition, 1846
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| Author | Charles Dickens |
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| Illustrator |
Daniel Maclise John Leech Richard Doyle Clarkson Stanfield Edwin Landseer |
| Country | United Kingdom |
| Language | English |
| Genre | Novella |
| Publisher | Bradbury and Evans |
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Publication date
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20 December 1845 |
| Media type | |
| Preceded by | The Chimes |
| Followed by | The Battle of Life |
The Cricket on the Hearth: A Fairy Tale of Home is a novella by Charles Dickens, published by Bradbury and Evans, and released 20 December 1845 with illustrations by Daniel Maclise, John Leech, Richard Doyle, Clarkson Stanfield and Edwin Henry Landseer. Dickens began writing the book around 17 October 1845 and finished it by 1 December. Like all of Dickens's Christmas books, it was published in book form, not as a serial. Dickens described the novel as "quiet and domestic [...] innocent and pretty." It is subdivided into chapters called "Chirps", similar to the "Quarters" of The Chimes or the "Staves" of A Christmas Carol. It is the third of Dickens's five Christmas books, preceded by A Christmas Carol (1843) and The Chimes (1844), and followed by The Battle of Life (1846) and The Haunted Man and the Ghost's Bargain (1848).
In July 1845, Dickens contemplated forming a periodical focusing on the concerns of the home. It was to be called The Cricket, but the plan fell through, and he transformed his idea into a Christmas book in which he abandoned social criticism, current events, and topical themes in favour of simple fantasy and a domestic setting for his hero's redemption. The book was released on 20 December 1845 (the title page read "1846") and sold briskly into the New Year. Seventeen stage productions opened during the Christmas season 1845 with one production receiving Dickens's approval and opening on the same day as the book's release. Dickens read the tale four times in public performance. It has been dramatised in numerous languages and for years was more popular on stage than A Christmas Carol. Cricket is less explicitly Christian than some of Dickens's other Christmas books, it has been criticised for its sentimentality, but contemporary readers were attracted to its depiction of the Victorian ideal of the happy home.
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