The Crane Wife | ||||
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Studio album by The Decemberists | ||||
Released | October 3, 2006 | |||
Recorded | March–June 2006 | |||
Genre | Indie rock, folk rock, progressive rock | |||
Length | 60:10 | |||
Label | Capitol/Rough Trade | |||
Producer | Tucker Martine and Christopher Walla | |||
The Decemberists chronology | ||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 84/100 |
Review scores | |
Source | Rating |
AllMusic | |
The A.V. Club | A |
Blender | |
Entertainment Weekly | B+ |
The Guardian | |
NME | 6/10 |
Pitchfork Media | 8.4/10 |
Rolling Stone | |
Spin | |
Uncut |
The Crane Wife is the fourth album by The Decemberists, released in 2006. It was produced by Tucker Martine and Chris Walla, and is the band's first album on the Capitol Records label. The album was inspired by a Japanese folk tale, and centers on two song cycles, The Crane Wife and The Island, the latter inspired by William Shakespeare's The Tempest. National Public Radio listeners voted The Crane Wife the best album of 2006.
The album cover was designed by the Portland artist Carson Ellis, Colin Meloy's wife, who has created artwork for each of the band's albums.
The Crane Wife is an old Japanese folktale. While there are many variations of the tale, a common version is that a poor man finds an injured crane on his doorstep (or outside with an arrow in it), takes it in and nurses it back to health. After he releases the crane, a woman appears at his doorstep with whom he falls in love and marries. Because they need money, his wife offers to weave wondrous clothes out of silk that they can sell at the market, but only if he agrees never to watch her making them. They begin to sell them and live a comfortable life, but he soon makes her weave them more and more. Oblivious to his wife's declining health, his greed increases. He eventually peeks in to see what she is doing to make the silk she weaves so desirable. He is shocked to discover that at the loom is a crane plucking feathers from her own body and weaving them into the loom. The crane, seeing him, flies away and never returns.
This song is a portrayal of the 900-day Siege of Leningrad during the Second World War. During the siege, the German army surrounded the city entirely, preventing anything from going in or out. As a result, many died of starvation, and the final death-toll is estimated to be over one million. The song also has a political undertone to it; it is stated that despite the fact that people put their faith in the government which swore to protect them, they ended up being left unprepared and unequipped to fight off the Germans. The song references Nikolai Vavilov, a Russian botanist who died in a Soviet prison camp, in the lyrics. Colin Meloy explained: