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The Comics Journal

The Comics Journal
Lynch114.jpg
Jay Lynch self-portrait for The Comics Journal No. 114 (February 1987)
Editor-in-chief Gary Groth (since 1977)
Categories comics, criticism, history, interviews
Frequency Twice a year
Publisher Fantagraphics Books
First issue 1977
Country United States
Language English
Website TCJ.com
ISSN 0194-7869

The Comics Journal, often abbreviated TCJ, is an American magazine of news and criticism pertaining to comic books, comic strips and graphic novels. Known for its lengthy interviews with comic creators, pointed editorials and scathing reviews of the products of the mainstream comics industry, the magazine promotes the view that comics are a fine art meriting broader cultural respect, and thus should be evaluated with higher critical standards.

In 1976, Gary Groth and Michael Catron acquired The Nostalgia Journal, a small competitor of the newspaper adzine The Buyer's Guide for Comics Fandom. At the time, Groth and Catron were already publishing Sounds Fine, a similarly formatted adzine for record collectors that they had started after producing Rock 'N Roll Expo '75, held during the July 4 weekend in 1975 in Washington, D.C.

The publication was relaunched as The New Nostalgia Journal with issue No. 27 (July 1976), and with issue No. 32 (January 1977), it became The Comics Journal ("a quality publication for the serious comics fan"). Issue No. 37 (December 1977) adopted a magazine format.

In addition to lengthy interviews with comics industry figures, the Journal has always published criticism—and received it in turn. Starting in the early 2000s, the Journal published a series of annual specials combining its usual critical format with extended samples of comics from specially selected contributors.

With issue No. 300 (November 2009), The Comics Journal ceased its semi-monthly print publication.TCJ shifted from an eight-times a year publishing schedule to a larger, more elaborate, semi-annual format supported by a new website.

Over the years The Journal has been involved in a handful of lawsuits. Artist Rich Buckler attempted legal action for a review that called him a plagiarist while printing his panels next to earlier and quite similar Jack Kirby art. A Groth interview with science fiction writer Harlan Ellison sparked a lawsuit by writer Michael Fleisher, over an informal discussion of Fleisher's work and temperament. Co-defendants Groth and Ellison won the case, but emerged from the suit estranged.


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