The Boy Friend (1971 film)
| The Boy Friend | |
|---|---|
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|
| Directed by | Ken Russell |
| Produced by |
Ken Russell Harry Benn |
| Written by | Ken Russell |
| Based on | the musical by Sandy Wilson |
| Starring |
Twiggy Christopher Gable Max Adrian Tommy Tune Brian Murphy (actor) Barbara Windsor Vladek Sheybal |
| Music by | Peter Maxwell Davies |
| Cinematography | David Watkin |
| Edited by | Michael Bradsell |
|
Production
company |
Russflix
EMI Films |
| Distributed by | Metro-Goldwyn-Mayer |
|
Release date
|
December 16, 1971 |
|
Running time
|
137 minutes (original) 109 mins (US) |
| Country | United Kingdom United States |
| Language | English |
| Budget | $3 million |
The Boy Friend is a 1971 British-American musical comedy film directed by Ken Russell and starring Twiggy, Christopher Gable, Tommy Tune, and Max Adrian with an uncredited appearance by Glenda Jackson. It is an adaptation of the musical The Boy Friend by Sandy Wilson. It was released on DVD on April 12, 2011.
The plot exists on three levels.
First there is the frame story where in the south of England in the 1920s a struggling theatrical troupe is performing a musical about romantic intrigues at a finishing school for young women in the south of France. To ongoing backstage dramas and audiences smaller in number than the cast, two extra ingredients arrive: a famous Hollywood film producer turns up to see the show, and Polly, the mousy assistant stage manager, is forced to go on when the leading lady breaks a leg. As Polly struggles to keep her cool while acting opposite the male lead she secretly loves, the rest of the company backstab each other trying to impress the impresario.
Next there is the musical itself. Four of the girls at the school are very forward and acquire boy friends but Polly is shy and has nobody to take her to the carnival masked ball that night. Tony, a messenger boy from a dress shop brings her a costume and the two young people are struck with each other. They meet again in the afternoon and reach an understanding, she pretending she is only a secretary so as not to seem above him. He comes to the ball and, when unmasked, is recognised as a peer's son. So Tony and Polly are both rich and can marry openly.
Thirdly, there are extensive fantasy sequences during which the characters' dreams are enacted in music and dance without words.
MGM bought the rights to the musical in 1957.
Dan Ireland thought Russell was motivated to make the film in response to the controversy of The Devils (1971).
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