The Boy | |
---|---|
Music |
Lionel Monckton Howard Talbot |
Lyrics |
Adrian Ross Percy Greenbank |
Book | Fred Thompson Percy Greenbank |
Basis | Pinero's play, The Magistrate |
Productions | 1917 West End |
The Boy is a musical comedy with a book by Fred Thompson and Percy Greenbank (based on Arthur Wing Pinero's 1885 play, The Magistrate), music by Lionel Monckton and Howard Talbot and lyrics by Greenbank and Adrian Ross. The original production opened at the Adelphi Theatre in London in 1917 and ran for 801 performances – one of the longest runs of any musical theatre piece up to that time. It had successful foreign productions and tours.
During the gloomy days of World War I, audiences, including servicemen on leave, wanted light and uplifting entertainment, and they flocked to theatres to see lighthearted musical comedies, a number of which broke box-office records. These included The Bing Boys Are Here (1916), Chu Chin Chow (1916), and The Maid of the Mountains (1917). Almost as popular were The Boy, The Happy Day (1916) and Yes, Uncle! (1917). Greenbank had worked on a dozen shows with each of Monckton and Ross from 1900 to the time of The Boy, and Talbot and Thompson were also frequent collaborators of theirs in the first two decades of the 20th century.
The plot of The Boy closely follows that of The Magistrate, although character names have been changed, and some of the original dialogue is retained. In the Play Pictorial feature, B.W. Findon's review of the musical praised the singing of Nellie Taylor and Peter Gawthhorne, and the comedy of W. H. Berry, as well as the production in general.
Mrs. Millicent Meebles, a remarried widow, habitually understates the age of her son, Hughie Cavanaugh, to make herself appear several years younger. Consequently, the 19-year-old lad is taken for a 14-year-old boy and appears to be precocious. Hughie, that "Sporty Boy", flirts with astonishing skill with his beautiful music teacher.