The Blueprint Dives is the fourth studio release by the Norwegian Christian metal band Extol. Recorded at the end of 2004 at Top Room Studios and produced by Børge Finstad and Extol, Blueprint was released on February 21, 2005, on Century Media. The album met with a widely positive reception and received a Spellemannprisen nomination. On this album, Ole Børud and Christer Espevoll left Extol, and the band was joined by the members of the rock band Ganglión, Tor Magne S. Glidje and Ole Halvard Sveen.

The album has a very different style to their previous releases, and its genre is very difficult to categorize: Imperiumi.net described the sound as an amalgamation of Cult of Luna, Muse and Porcupine Tree.Exclaim! described the band as moving past the sometimes overreaching progressive sounds for a more modern and straight-up rock sound. The reviewer further described the album style as "taking the sounds of bands as disparate as Opeth, Norma Jean and the general vibe of cold symphonic black metal, and combining a bit of a simplified, melodic groove to it, creating something new entirely." Both writer Matt Morrow and Cross Rhythms mentioned that there was debate as to whether the album is even metal. The Cross Rhythms reviewer stated that "I personally think they are [metal] but taking much more influence from the prog metal bands - as Fire Fly did on their last album. In fact comparisons with Fire Fly continue further, in terms of longevity and musical evolution - both too have musical creativity and individuality by the bucket load." The Phantom Tollbooth described the sound by stating that "[w]here Synergy was thrash, The Blueprint Dives is more heavy metal, with it being hard rock here or there on a few accounts." Morrow also compared the album to Synergy, saying "[w]here Synergy found the band in technical thrash mode, The Blueprints Dives, very simply put, finds the band playing a style that is much more melodic than their past work. Try mixing a touch of Synergy with influences from the rock band Ganglion."musicOMH found touches of the Deftones in the album. The reviewer went on to call the album "varied, wide in scope and impressively versatile", and stating that "[i]n any genre of music those are rare qualities, but in death metal and its ugly relations, it's almost unheard of." Alex Straka of the German site Powermetal.de labeled the album as progressive thrash metal, and found Devin Townsend influences on "From the Everyday Mountain Top" and Faith No More influences on "Another Adam's Escape".AllMusic found comparisons almost impossible and considered the album something truly original:

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