The Black-Man's Burdon
| The Black-Man's Burdon | ||||
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| Studio album by Eric Burdon and War | ||||
| Released | December 1970 | |||
| Recorded | 1970 at Wally Heider Studios, San Francisco, California | |||
| Genre | ||||
| Length | 90:08 | |||
| Label | MGM | |||
| Producer | Jerry Goldstein | |||
| Eric Burdon chronology | ||||
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| War chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |   |
| Robert Christgau | D+ |
The Black-Man's Burdon is a double album by funk band Eric Burdon and War, released in December 1970 on MGM Records. It was the second of two albums by the group before Burdon left and the remaining band continued as War.
The title is a pun on , an expression which refers to black slavery, used as the title of a book by E. D. Morel (1920) in response to the poem, "The White Man's Burden" (1899) by Rudyard Kipling, which refers to (and champions) American imperialism (including its history of slavery).
The album includes two suites based on cover versions of songs by other artists: "Paint It Black" by The Rolling Stones, and "Nights in White Satin" by The Moody Blues, augmented by additional sections composed by the group. (Two similar suites appeared on the group's first album.) The extra material is mostly instrumental, except for "P.C. 3" (P.C. referring to Police Constable, a common abbreviation used in the United Kingdom), a risqué poem recited (and probably written) by Burdon over the music. Two other songs include a children's chorus credited as Sharon Scott and the Beautiful New Born Children of Southern California. Richie Unterberger of Allmusic says the album is "Composed mostly of sprawling psychedelic funk jams" and "it does find War mapping out much of the jazz/Latin/soul grooves...".
One single from the album was released: "They Can't Take Away Our Music" backed with "Home Cookin'".
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