The Bells Sketch
| The Bells Sketch | ||||
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| EP by James Blake | ||||
| Released | 8 March 2010 | |||
| Genre | Dubstep, post-dubstep | |||
| Length | 14:37 | |||
| Label | Hessle Audio (HES011) | |||
| Producer | James Blake | |||
| James Blake chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| FACT |   |
| Resident Advisor | |
The Bells Sketch is the debut EP of London-based producer James Blake. It was released on 8 March 2010 by Hessle Audio. The EP received very positive reviews from music critics.
The songs on The Bells Sketch have a speed of around 72 beats per minute, which is considered slow for dance music. The title track of the EP features "playful" vocals, "erratic jazz piano basslines", and synthesizers. The song's vocals are a mix of samples and Blake's own voice. It opens with a violin-like sound, after which Blake starts singing. After each phrase, a "video-game noise" covers up the vocals. Halfway through the track, Blake's voice is drowned out by bass.
The next track, "Buzzard and Kestrel", starts with a mixture of muffled vocals and dog whistle melodies. The song stays this way for half its duration, until a cowbell is played. The song then fades out as it ends. It is influenced by lounge piano and Outkast snare patterns, and features some synthesizer. The final track of the album is "Give A Man A Rod". The song is driven by claps sounding like drums, and vocals akin to Flying Lotus. A version of the song without a drop was released in 2011, entitled "Give A Man A Rod (Second Version)".
The EP received critical acclaim from music critics. Mike Coleman of FACT magazine gave The Bells Sketch 4 and a half "records" out of 5, saying "The Bells Sketch is a complex thing – beautiful and difficult, its glitch-peppered oddities are addictive, but bursting at the seams with a desire to experiment and a complete lack of compromise." Mike Powell of Pitchfork Media said of the EP: "I think it's both (brilliant and a high-concept mess), but I really like high-concept messes."
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