The Banks of Green Willow

The Banks of Green Willow is a short orchestral piece by George Butterworth. It was composed in 1913, is written in the key of A major, and is around six minutes long.

This is a short orchestral piece by George Butterworth, probably the most played of his three works for orchestra. It has certainly been his most recorded orchestral work.

Described by its composer as an "Idyll", and written in 1913, it is scored for a small orchestra consisting of two flutes, two oboes, two clarinets, two bassoons, two horns, one trumpet, harp and strings. It is thus a belated companion to the Two English Idylls of 1910-1911. All three pieces are founded on folk melodies Butterworth collected in Sussex in 1907, each has a similar "arch" shape, and each lasts between 4½ and 6 minutes.

Butterworth based The Banks of Green Willow on two folk song melodies that he noted in 1907 - "The Banks of Green Willow" (Child 24, Roud 172) and "Green Bushes" (Roud 1040, Laws P2). The first was noted from the singing of "Mr & Mrs Cranstone" of Billingshurst, though a few bars from the end (after the flute and harp have played Green Bushes) a solo violin muses on a variant of the tune, recorded by Butterworth in 1909, using a phonograph, from the singing of David Clements in Basingstoke Workhouse.Versions of the second tune were noted from at least ten different singers, though the tune as it appears in the Idyll is not any of them. Each use of each tune varies slightly, and it is likely that Butterworth created new variants based on features of all the various versions he collected. Green Bushes as it appears in the Idyll most closely resembles that sung by Ned Harding of Lower Beeding, Sussex, in June 1907. It is interesting that the composer also noted a version from Mr Cranstone, though it is not much like the one in the Idyll. Green Bushes was a common tune, and there are notable uses of it in works by Ralph Vaughan Williams (Folk Song Suite, Movement 2) and Percy Grainger (Passacaglia: Green Bushes and The Lost Lady Found).

A solo clarinet and strings create a pastoral scene with the title theme, followed by a short development and restatement of the tune. The mood becomes more sombre and agitated as a new theme (Butterworth's own, on horns) is introduced. An animated motif leads to the main climax, which is surpisingly passionate for such a short work, before the music subsides to introduce Green Bushes hesitantly on oboe. This is repeated gently on flute, accompanied by harp, and the piece ends tranquilly with snatches of the variant title theme on violin solo, horn and oboe.

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