The Apprenticeship of Duddy Kravitz (musical)

The Apprenticeship of Duddy Kravitz is a musical written by David Spencer and Disney composer Alan Menken (eight-time Oscar-winning composer). The play is based on Canadian author Mordecai Richler's 1959 novel of the same name. The musical is a "morality tale" set in 1950's Montreal, Canada, about 19-year-old Duddy Kravitz, from the Jewish working-class inner city, who is desperate to make his mark and prove himself to his family and community. After his grandfather tells him that "a man without land is nobody," he works and schemes to buy and develop a lakefront property, but his ambition threatens his personal relationships with those who love him, among them a French Canadian girl he meets while working at a summer resort. Duddy often behaves as a "nervy young hustler" but is at the same time fiercely loyal to those whom he loves. He must "ultimately decide what kind of man he's going to be." The story ended on a bleak note with Duddy isolated and morally compromised, having accomplished his goals only by betraying close friends, including his epileptic and paraplegic friend Virgil, and becoming estranged from his grandfather.

An early form of the musical called Duddy was scored by Jerry Leiber and Mike Stoller in 1984 and premiered at Edmonton's Citadel Theater in April 1984, with Lonny Price as Duddy. The unconventional combination of the story's dark tones with a musical style confused audiences, who were further antagonized by Mordecai Richler's dismissive opinion of Edmonton in newspapers. Although the show intended a cross-country run through Canada, poor ticket sales and savage press reviews resulted in the play fizzling by the time it reached Ottawa's National Arts Centre, whereupon it was cancelled before performing in Toronto or even its Montreal setting, losing backers an estimated $500,000.

A second adaptation followed with Spencer serving only as lyricist, with direction by Austin Pendleton. The play opened in October 1987 in Philadelphia. Ultimately it was again a troubled production as cast and backers feuded over revising the dark ending to please audiences; the play failed to reach New York theaters.

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