The 37's
| "The 37's" | |
|---|---|
| Star Trek: Voyager episode | |
| Episode no. | Season 2 Episode 1 |
| Directed by | James L. Conway |
| Written by | |
| Produced by | |
| Featured music | Dennis McCarthy |
| Cinematography by | Marvin V. Rush, A.S.C. |
| Editing by | Robert Lederman |
| Production code | 120 |
| Original air date | August 28, 1995 |
| Running time | 45:49 |
| Guest appearance(s) | |
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"The 37's" is the first episode of the second season, and seventeenth episode overall, of the American science fiction television series Star Trek: Voyager. Due to differing release schedules, it was also released as the final episode of the first season in other countries. The episode originally aired August 28, 1995, on the UPN network. Directed by James L. Conway, it was written by producers Jeri Taylor and Brannon Braga. It was originally intended to be a two-part episode to bridge between the first and second seasons, and was subsequently re-written to be a single part. Due to late changes to the final act of the episode, special effects shots of the settlers' cities could not be completed, which Braga and series creator Michael Piller were unhappy with.
Set in the 24th century, the series follows the adventures of the Starfleet and Maquis crew of the starship USS Voyager after they were stranded in the Delta Quadrant, far from the rest of the Federation. In this episode, Voyager's crew discovers a group of humans—including Amelia Earhart (Sharon Lawrence)—who were abducted from Earth in 1937.
Lawrence was cast as Amelia Earhart after she had previously worked with Voyager's casting director on NYPD Blue. The episode shows the first time that a Federation starship lands on a planet's surface. CGI was used to show the landing struts unfold, and feet were added to the Voyager model for filming; however the production crew weren't pleased with these and obscured them during filming. The episode received Nielsen ratings of 7.5 percent, and was given a mixed response by critics. Among the criticisms were the density of the ideas in the episode and the gimmicky appearance of Earhart. It was also said to be redeemed by the vignettes showing the crew discussing whether to leave the ship, and that the episode contained a "powerful feminist narrative".
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