That's Why God Made the Radio | ||||
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Studio album by The Beach Boys | ||||
Released | June 5, 2012 | |||
Recorded | 2011–2012 | |||
Studio | Ocean Way Recorders, Hollywood | |||
Genre | Baroque pop | |||
Length | 38:53 | |||
Label | Capitol | |||
Producer | Brian Wilson (except "Daybreak Over the Ocean", Paul Fauerso) | |||
The Beach Boys chronology | ||||
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Singles from That's Why God Made the Radio | ||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 64/100 |
Review scores | |
Source | Rating |
Allmusic | |
Consequence of Sound | B- |
Digital Spy | |
Entertainment Weekly | B+ |
The Guardian | |
Los Angeles Times | |
NME | 6/10 |
Paste | 6.0/10 |
Rolling Stone | |
Spin | 6/10 |
That's Why God Made the Radio is the twenty-ninth studio album by American rock band The Beach Boys, released on June 5, 2012 on Capitol Records. Produced by Brian Wilson, the album was recorded to coincide with the band's 50th anniversary. It is their first album to feature original material since Summer in Paradise in 1992, their first album to feature guitarist and backing vocalist David Marks since Little Deuce Coupe in 1963, and their first album since the 1998 death of co-founder Carl Wilson.
Preceded by the single "That's Why God Made the Radio", the album reached number 3 on the Billboard 200 and was their highest charting studio album of new material since 1965, placing them second all-time with longest span of top 10 albums at 49 years.
Jim Peterik has said that the album's title came from a comment made by Brian in response to Peterik's description of an AM radio broadcast filtering through a car's oval speaker.
According to record producer Joe Thomas, Brian Wilson circa 2008 or 2010 inquired to him about demo tapes recorded during the sessions for Wilson's 1998 solo album Imagination which Thomas co-produced: "He called up and said I've got some ideas for some new Beach Boys songs, and I said, That’s great, and I pointed out to him that when we worked together several years ago he had the genesis of some other Beach Boy songs that he had never really wanted to put on any of his solo records. That he had isolated specifically for the Beach Boys. So he asked me to compile those and it was more than a few." The two proceeded to meet with Mike Love in Palm Springs, who then agreed to a collaboration.