Thalia Zedek

Thalia Zedek
Thalia Zedek live at the Buffalo Bar (London) on June 13, 2013
Background information
Born	1961 (age 55–56) Washington, D.C., United States
Genres	Indie rock
Years active	1980–present
Labels	Kimchee Records, Matador Records, Thrill Jockey
Associated acts	Dangerous Birds, Uzi, Live Skull, Come, Thalia Zedek Band, E

Thalia Zedek (born 1961) is an American singer and guitarist. Active since the early 1980s, she has been a member of several notable alternative rock groups, including Live Skull and Uzi both of which, according to Spin magazine, "made big noise in the underground", and Come. Critic Heather Phares writes that Zedek's music can be defined by "the permanent, aching rasp in her voice, her guitar's bluesy bite, the startlingly clear-eyed lyrics about life and loss."

Zedek grew up in the metropolitan area of Washington, D.C. She attended Springbrook High School in Maryland, where she played clarinet in the marching band under band director Charles Sickafus. The early punk era of the late 1970s in which she came of age, and in particular Patti Smith, contributed deeply to the formation of her musical aesthetic. While still at high school, she would travel to New York City with her brother, Dan Zedek (currently the editorial design director at the Boston Globe), to see Smith perform.

Zedek moved to Boston in 1979, attending Boston University for one semester before deciding to pursue a musical career instead. Her first band, the all-female White Women, broke up after a couple of years, and she formed the Dangerous Birds. This group had somewhat more success, including a single, "Smile on Your Face/Alpha Romeo", which achieved airplay on college and alternative-commercial radio; but Zedek wanted a more "violent" sound in contrast to the somewhat "girlie pop" tendencies of her Dangerous Birds bandmates. Her next project, Uzi, worked towards this aim, producing an EP, Sleep Asylum. The EP was characterized by elusive yet subtly menacing lyrics superimposed upon lugubrious but driving instrumental tracks, featuring layers of dense, murky yet muscular guitar arrangements, blended with heady synthesizer and tape effects. However, despite the promise of "Sleep Asylum", Uzi dissolved, owing to tension between Zedek and the band's drummer, Danny Lee.