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Thai architecture


The architecture of Thailand is a major part of the country's cultural legacy and reflects both the challenges of living in Thailand's sometimes extreme climate as well as, historically, the importance of architecture to the Thai people's sense of community and religious beliefs. Influenced by the architectural traditions of many of Thailand's neighbors, it has also developed significant regional variation within its vernacular and religious buildings. Although Siam urged to identify themselves as a modernized state, Western culture and influence was undesirable and inevitable. In an attempt to become distinguished, Thailand's ruling elite gravitated toward selective Modernization to avoid the undesired Western influence.

The architecture of Tawaravadee appears in the central region of Thailand. It used clay bricks and sometimes laterite. The construction of pagodas had a square base and an inverted-bell shape topped with a spire.

The architecture of Sriwichai is notable for the stupa-style Buddha which has a square base and an octagonal top.

The architecture of Lopburi adopted the style of the Khmer and can be seen in the Shrines of Ganesh. This style preferred to use brick, sandstone, and laterite. Originally brick and sandstone were used to build houses or castles and laterite for bases.

Most religious places were built during the age of Chiang Saen. The builders received and integrated art and culture from other territories such as Sukhothai, Tawaravadee, Sriwichai, and Burma.

The art of Sukhothai began in B.E. 1780 when King Indraditya established the Sukhothai Kingdom. The identity of the architecture inSukhothai is decorations in order to display the Buddhist faith by building the buildings in symbolic shapes.

The architecture of Authong integrated the art of Tawaravadee and Khmer civilization such as the building style of Phra Prang in Wat Sri Rattana Mahathat, Lopburi.

The identity of architecture in this period is designed to display might and riches so it has great size and appearance. The temples in Ayutthaya seldom built eaves stretching from the masterhead. The dominant feature of this style is sunlight shining into buildings. During the latter part of the Ayutthaya period, architecture was regarded as a peak achievement that responded to the requirements of people and expressed the gracefulness of Thainess. But the development of architecture had to stop because Ayutthaya as defeated in the war in Burma in B.E.2310.

As the phrase "Thai stilt house" suggests, one universal aspect of Thailand's traditional architecture is the elevation of its buildings on stilts, most commonly to around head height. The area beneath the house is used for storage, crafts, lounging in the daytime, and sometimes for livestock such as chickens or ducks. The houses were raised due to the fact that many Thai villages are centered around rivers and canals, which are subject to flooding during the rain season. Thai building and living habits are often based on superstitious and religious beliefs. Many other considerations such as locally available materials, climate, and agriculture have a lot to do with the style.


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