Thaïs (opera)
| Thaïs | |
|---|---|
| Opera by Jules Massenet | |
Original poster, design by Manuel Orazi
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| Description | comédie lyrique |
| Librettist | Louis Gallet |
| Language | French |
| Based on |
Thaïs by Anatole France |
| Premiere | 16 March 1894 Opéra Garnier, Paris |
Thaïs (French pronunciation: [ta.is]) is an opera, a comédie lyrique in three acts and seven tableaux, by Jules Massenet to a French libretto by Louis Gallet, based on the novel Thaïs by Anatole France. It was first performed at the Opéra Garnier in Paris on 16 March 1894, starring the American soprano Sibyl Sanderson, for whom Massenet had written the title role. The original production was directed by Alexandre Lapissida, with costumes designed by Charles Bianchini and sets by Marcel Jambon (act 1, scene 1; act 3) and Eugène Carpezat (act 1, scene 2; act 2). The opera was later revised by the composer and was premiered at the same opera house on 13 April 1898.
The work was first performed in Italy at the Teatro Lirico Internazionale in Milan on 17 October 1903 with Lina Cavalieri in the title role and Francesco Maria Bonini as Athanaël. In 1907, the role served as Mary Garden's American debut in New York in the U.S. premiere performance.
Thaïs takes place in Egypt during Byzantine rule, where a Cenobite monk, Athanaël, attempts to convert Thaïs, an Alexandrian courtesan and devotee of Venus, to Christianity, but discovers too late that his obsession with her is rooted in lust; while the courtesan's true purity of heart is revealed, so is the religious man's baser nature. The work is often described as bearing a sort of religious eroticism, and has had many controversial productions. Its famous Méditation, the entr'acte for violin and orchestra played between the scenes of act 2, is an oft-performed concert music piece; it has been arranged for many different instruments.
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