"Teen Age Riot" | ||||
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Single by Sonic Youth | ||||
from the album Daydream Nation | ||||
Released | October 1988 | |||
Format | 12-inch single | |||
Recorded |
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Genre | ||||
Length | 3:50 | |||
Label | Blast First | |||
Songwriter(s) | ||||
Producer(s) |
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Sonic Youth singles chronology | ||||
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"Teen Age Riot" was the first single from Sonic Youth's 1988 album, Daydream Nation. It received heavy airplay on modern rock stations and considerably expanded their audience (along with the album itself).
"Teen Age Riot" is one of Sonic Youth's most recognizable songs, yet it is something of an oddity amongst their repertoire, consisting of a traditional verse-chorus pop song structure.
The song was included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll and is an on-disc track in Rock Band 2.
The song was supposedly written about a fantasy world where J Mascis is president. In the liner notes accompanying the deluxe edition of Daydream Nation, Byron Coley quoted Thurston Moore on "Teen Age Riot": "It was actually about appointing J Mascis as our de facto alternative dream president".
The album version of the song has two distinct parts. The intro section features a repeating, hypnotic guitar melody, and Kim Gordon reciting stream-of-consciousness prose, such as "You're it, no you're it / Say it, don't spray it / Miss me, don't dismiss me / Spirit desire / We will fall." ("We Will Fall" is a reference to the Stooges' song of the same name from their debut eponymous album). After 80 seconds, all instruments stop, and Moore breaks through the fading instruments with a fast, distorted, noisy guitar riff, opening the main section of the song. The riff leads to the dynamic guitar melody that plays throughout the rest of the song with the vocal melody, sung by Moore. The riff that opens the section is repeated once again afterwards in the song, with all of the instruments accompanying it in an interlude that leads to the song's last few lines.
As with many Sonic Youth songs, the guitars were unconventionally tuned; in this case, Moore's pentatonic tuning was (reading from left to right, the lowest-pitched string to the highest-pitched string) GABDEG and Lee Ranaldo's tuning was GGDDGG, as published in a Guitar World interview with the band.