Teddy Brown (1900–1946) was an American entertainer who spent the latter part of his life performing in Britain. He was born Abraham Himmelbrand in 1900, and first played in the New York Philharmonic Orchestra, but moved to the field of popular music in the 1920s.
He was noted for his rotund appearance, approaching 400 pounds in weight, and was often compared to (or considered the British answer to) another rotund band leader of the same era, Paul Whiteman.
Brown played several instruments, the saxophone, the drums, percussion, the xylophone, and he also whistled melodies while he played any of the percussion instruments.
He arrived in London in 1926. The next year he formed his own orchestra, playing at the Café de Paris. He went on to play in other nightclubs both in London and Paris including the Kit Kat Club. The custom-made Besson xylophone he played had a five-octave range, one more than the usual xylophone. In 1927, the UK division of Lee de Forest's Phonofilm made a short film of Brown playing the xylophone.
As Brown's considerable percussive skills and fame in the UK spread, he appeared in an early sound feature-length movie in 1930, co-directed by a young Alfred Hitchcock, titled Elstree Calling, a musical variety review that answered Paul Whiteman's music review feature film of the same year, King of Jazz, with both films featuring early color sequences. Elstree was the movie and radio studio complex where many famous films and radio shows were produced in the early days of British media entertainment. A variety of impressive older musical and comedic vaudeville acts and new talent were featured each of the two films.
Brown's appearances in Elstree Calling won favorable audiences reviews at the time. His third appearance in the film was the most impressive, as he plays the xylophone with amazingly fast precision, using only one hand at a time, and sometimes behind his back.