Teatro Municipal de São Paulo
| São Paulo Municipal Theatre | |
|---|---|
| Theatro Municipal de São Paulo | |
The main façade, after the 2011 restoration.
|
|
| Alternative names | Municipal |
| General information | |
| Type | Opera house |
| Architectural style |
Renaissance, Baroque and Art Nouveau |
| Location | Ramos de Azevedo Square, Centro, São Paulo |
| Construction started | 1903 |
| Completed | 1911 |
| Inaugurated | 12 September 1911 |
| Design and construction | |
| Architect |
Ramos de Azevedo Claudio Rossi Domiziano Rossi |
| Other information | |
| Seating capacity | 1523 |
| Designated | 1995 |
| Reference no. | 1349 |
Municipal Theatre of São Paulo is a theatre in São Paulo, Brazil. It is regarded as one of the landmarks of the city, significant both for its architectural value as well as for its historical importance, having been the venue for the Week of Modern Art in 1922, which revolutionised the arts in Brazil. The building now houses the São Paulo Municipal Symphonic Orchestra, the Coral Lírico (Lyric Choir) and the City Ballet of São Paulo.
The idea of building a representative theatre for the city of São Paulo was inspired by its increasing importance on the international stage. From the beginning of 20th century it was inhabited by the Brazilian bourgeoisie, of which a great part was involved in the business of coffee farming. The city had also quite a large Italian population. So far, the city could only rely on the Teatro São José, actually there was some others quite big, even modest theatres in the city how, the Polythéama, or the Minerva, and the Apolo, but the São José it was the bigger of them, which after a fire was no longer suitable for large foreign productions. That is why the paulistana aristocracy demanded a creation of a new theatre, with a structure similar to some of the best theatres in the world and suitable for staging large opera productions.
The place which was chosen for the construction was Morro do Cha', or Tea Hill, which had been the site of the new Teatro São José. Ramos de Azevedo was the engineer assigned to the construction. He was also helped by two Italian architects Cláudio Rossi and Domiziano Rossi. In 1903, construction began, and São Paulo gained one of the best venues in the world for the presentation of theatre productions, mainly operas. As it was customary in those days, the majority of the materials was imported from Europe, and the architectural reference was Palais Garnier of Paris. The construction lasted about 8 years. The first staged production was the opera Hamlet by Ambroise Thomas. The initial idea was to present an opera Il Guarany, but the company, directed by an Italian Titta Ruffo, a celebrated baritone voice of the time, did not want to count on putting works by Brazilian composers in its repertoire. Also other problems had happened before the opening night. The stage decorations had not arrived in Brazil in time which caused the postponement of the opening date. When the new date arrived on 12 September 1911, the result surpassed all the expectations of the public and the city's dominant class.
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