"Take Me to the River" | |
---|---|
Song by Al Green from the album Al Green Explores Your Mind | |
Released | October 2, 1974 |
Recorded | 1974, Memphis, Tennessee |
Genre | Soul |
Length | 3:45 |
Label | Hi |
Writer(s) | Al Green, Mabon "Teenie" Hodges |
Producer(s) | Willie Mitchell |
Al Green Explores Your Mind track listing | |
|
"Take Me to the River" | ||||
---|---|---|---|---|
US vinyl release
|
||||
Single by Talking Heads | ||||
from the album More Songs About Buildings and Food | ||||
B-side | "Thank You for Sending Me an Angel" | |||
Released | 1978 | |||
Format | 7" | |||
Genre | New wave | |||
Length | 3:36 (Edited version) | |||
Label |
Sire Sire 1032 |
|||
Writer(s) | Al Green, Mabon "Teenie" Hodges | |||
Producer(s) | Brian Eno, Talking Heads | |||
Talking Heads singles chronology | ||||
|
"Take Me to the River" is a 1974 song written by singer Al Green and guitarist Mabon "Teenie" Hodges. Hit versions were recorded by both Syl Johnson and Talking Heads. In 2004, Al Green's original version was ranked number 117 on Rolling Stone magazine's list of the Rolling Stone's 500 Greatest Songs of All Time.
Al Green originally recorded the song for his 1974 album, Al Green Explores Your Mind, produced by Willie Mitchell and featuring musicians Charles, Leroy and Mabon Hodges (The Hodges Brothers), drummer Howard Grimes, and the Memphis Horns. Green and Mabon Hodges wrote the song while staying in a rented house at Lake Hamilton, Arkansas, for three days in 1973 in order to come up with new material. According to Mitchell, Green wrote the words and Green and Hodges wrote the tune together. Green dedicated his performance on the record to "...Little Junior Parker, a cousin of mine, he's gone on but we'd like to kinda carry on in his name.." According to one writer, "Green's song squares the singer's early religious convictions with more earthly interests", but when the singer became a pastor of the Full Gospel Tabernacle Church in 1976, he dropped the song from his repertoire.
Writing in The Independent in 1994, Tim de Lisle wrote: "Musically, it was much like any other track sung by Green and produced by Willie Mitchell, the Southern-soul maestro who ran Hi Records, the Memphis Horns and the Memphis Strings: R'n'B with lashings of subtlety, a light, easy, late-night sound, in which the strings, the horns, the organ, the guitars and that wild-honey voice blend into a single swinging, winning thing. It doesn't sound like a band playing: it sounds like a lot of instruments humming."