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T.B. Sheets

"T.B. Sheets"
Song by Van Morrison
from the album Blowin' Your Mind!
Released 1967
Recorded March 29, 1967, A & R Studios, New York City
Genre Rock
Length 9:44
Label Bang
Columbia
Songwriter(s) Van Morrison
Producer(s) Bert Berns
Blowin' Your Mind! track listing
  1. "Brown Eyed Girl"
  2. "He Ain't Give You None"
  3. "T.B. Sheets"
  4. "Spanish Rose"
  5. "Goodbye Baby (Baby Goodbye)" (Farrell / Russell)
  6. "Ro Ro Rosey"
  7. "Who Drove the Red Sports Car?"
  8. "Midnight Special" (traditional)

"T.B. Sheets" is a blues-influenced song written and recorded by Northern Irish singer-lyricist Van Morrison, recorded for the Bang Records label in 1967 and included on his first solo album, Blowin' Your Mind!. It later appeared on the Bang compilation, T.B. Sheets.

"T.B. Sheets" was recorded on March 29, 1967 at A & R Recording Studios In New York City with Bert Berns as producer. Morrison had intended to record it in one take, but there were two takes recorded that day.

There is a long-standing, but perhaps apocryphal, story of Morrison's emotional state during the song's recording. Michael Ochs, in the liner notes for the 1973 album T.B. Sheets, wrote that "after 'T.B. Sheets' was recorded, the rest of the session had to be cancelled because Van broke down in tears." Likewise, according to John Collis,

Morrison could later joke about this song. "I’m writing 'T.B. Sheets Part II' now," he said in 1972. "Keeping the same riff, the same groove." However, it’s on record – though the story could be exaggerated – that after laying down this track he broke down in tears, unable to continue the session.

The story as told in the song takes place in a room where a young girl lies dying of tuberculosis and is visited by the story-teller. The overwhelming pain and guilt he feels leads to a desperate feeling of wanting to escape from the enclosed room smelling of death and disease.

The Allmusic review states, "The listener is placed in the room. Although somewhat disturbing, it certainly describes the term realism with one bold masterful stroke".

John Collis described the song's meaning as: "First of all, the singer chides the terminally ill invalid for crying. 'It ain't natural,' he says. The woman cries all night and the observer, trapped in the death room, is embarrassed and helpless. Later in the song, the sun bouncing off a crack in the window pane 'numbs my brain',...And then there's the crushing claustrophobia of the sickroom - 'Let me breathe,' he demands of the woman whose breath is failing, bubbling in cheesy lungs. There is a street below, a street she'll never walk in again, and he is getting desperate to be down there, to rejoin the living, because 'the cool room is a fool's room'.


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