Sylvette David
| Lydia Corbett | |
|---|---|
Lydia Corbett
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| Born |
Lydia Sylvette David 14 November 1934 |
| Nationality | French |
| Website | lydiacorbettart |
Lydia Corbett, also known as Sylvette David, is a French artist and former artist's model known for being "the girl with the ponytail" in Pablo Picasso's "Sylvette" series of paintings.
Corbett was born in Paris to an English mother and a French father. Her mother, Honor Gell – who was an oil painter and the daughter of a vicar – moved to Normandy in the 1920s. Corbett's father was art dealer Emmanuel David. After her birth, Corbett's parents' marriage broke down, leading to her father being absent throughout much of her childhood.
In the spring of 1954, when Corbett was nineteen, she met Pablo Picasso, who was "immediately entranced" by her. Picasso had a studio on Rue du Fournas in Vallauris, and Corbett – then known as Sylvette – would often walk past the artist's window en route to meet her fiancé.
A few weeks later, Corbett was chatting with friends while smoking and drinking coffee when she spotted Picasso in his studio next door, holding up one of his pictures. The picture was a simple portrait of her, executed from memory. "It was like an invitation," she later recalled, so she and her friends went to knock on his door. Picasso was so happy to see her that he embraced her immediately. "I want to paint you, paint Sylvette!" he cried.
In the months that followed, between April and June, Picasso persuaded Corbett to sit for him regularly and created a series of more than 60 portraits of her in various media, including drawings and sculptures as well as 28 paintings.
In the summer of 1954, the "Sylvette" series was exhibited in Paris to critical acclaim. Life magazine announced a new epoch in Picasso's art – his "Ponytail Period" – and Brigitte Bardot is said to have adopted Sylvette's style after seeing her walking along the promenade in Cannes.
Corbett started drawing to pass the time while she sat for Picasso, often posed in a rocking chair. She later married and, in 1968, moved to England, signing her work with her married name to avoid capitalising on her fame as a painter's muse. As her reputation grew, her work was exhibited in England and France, as well as at several London exhibitions.
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Wikipedia