Sweet Dreams (Are Made of This) | ||||
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Studio album by Eurythmics | ||||
Released | January 4, 1983 | |||
Genre | Synthpop, new wave, electronica | |||
Length | 41:59 | |||
Label | RCA Records | |||
Producer | David A. Stewart, Adam Williams, Robert Crash | |||
Eurythmics chronology | ||||
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Singles from Sweet Dreams (Are Made of This) |
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Slant Magazine | ![]() ![]() ![]() ![]() ![]() |
Smash Hits | 6/10 |
Uncut | ![]() ![]() ![]() ![]() ![]() |
The Village Voice | B |
Sweet Dreams (Are Made of This) is the second studio album by British new wave duo Eurythmics, released by RCA Records on 4 January 1983.
The album was included in the book 1001 Albums You Must Hear Before You Die.
After almost two years of initial commercial failure for Eurythmics, this album became a commercial breakthrough for the duo on both sides of the Atlantic. The title track became particularly popular, and it remains one of Eurythmics' most recognisable songs; its music video, popular on MTV in the United States, is memorable for Annie Lennox's gender-bending imagery. In the wake of this success, the single "Love Is a Stranger", previously a flop, was re-released and became a hit as well. It too was accompanied by a striking video, which featured Lennox dressed both as a man and a woman.
The album was re-released in 2005 with the rest of the Eurythmics' studio catalogue (excluding the 1984 (For the Love of Big Brother) album, to which Virgin Records holds the rights). The recordings were remastered and several bonus tracks were added to each of eight albums. In this release Sweet Dreams (Are Made of This) acquired six bonus tracks.
Dave Stewart, together with Robert Crash and ex-The Selecter bassist Adam Williams, produced the album in Eurythmics' own relatively primitive 8-track studio, winning awards for the quality of the recording which belied its low-budget origins. Sweet Dreams saw the duo move away from the psychedelic, guitar-tinged band-oriented sound of their 1981 debut album In the Garden, instead focusing on raw analogue synthesizers (including the Oberheim OB1 and EDP Wasp) and drum machines (particularly the Movement Systems Drum Computer, which featured a graphic visual display of the drum patterns). Whilst the "synthpop" genre had grown in popularity in the preceding years, it was often associated with all-male groups and somewhat clinical, emotionless music. Eurythmics (particularly with Lennox's vocal stylings) brought a soul music twist to the electronic sound, which proved popular with broader audiences.