Sweet 19 Blues
| Sweet 19 Blues | ||||
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The CD cover that commercializes the album. This cover was used as the front page of the inserted booklet, whilst four additional cardboard sleeves housed the packaging.
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| Studio album by Namie Amuro | ||||
| Released | July 22, 1996 | |||
| Recorded | 1995–96 | |||
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| Length | 66:46 | |||
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| Namie Amuro chronology | ||||
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| Singles from Sweet 19 Blues | ||||
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Sweet 19 Blues is the second studio album by Japanese recording artist Namie Amuro. It was released on July 22, 1996 by Avex Trax and their Hong Kong headquarters, her first record with the label after Dance Tracks Vol. 1 (1995). The album was composed, produced and arranged by Globe musician Tetsuya Komuro, with additional music credits to Cozy Kudo. Additionally, Japanese businessman and musician Max Matsuura, served as the records executive producer. Musically, it is a J-Pop record that incorporates elements of contemporary dance music, acid house and jungle. Lyrically, it delves into love, adolescense and enjoyment.
Upon its release, Sweet 19 Blues received positive reviews from music critics. Majority of the critics commended the dance-driven production, alongside its commercial appeal and lyrical content. However, Amuro's vocal deliveries were noted as a fault. Commercially, it experienced huge success in Japan, peaking atop of the Oricon Albums Chart. Furthermore, it achieved a record-breaking first week sales, accumulating over 1.9 million units. Five singles were spawned from the album, including the million-sellers: "Chase the Chance", "Don't Wanna Cry" and "You're My Sunshine".
In order to promote the album, Amuro conducted several live television performances throughout cities in Japan and promoted the album's material through commercial endorsements. Since its release, Sweet 19 Blues has been noted by commentators as a significant factor to the Japanese music industry for the singer's idol-image and further re-inventions. Additionally, Sweet 19 Blues was a predecessor of being the third best-selling Japanese release of all time, and held the record for being the best-selling album by a Japanese female solo artist, boasting nearly 4 million sold copies.
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